Willa Cather in Death Comes for The Archbishop was able to create imaginary conversations and actions that gave her main character (based on Father Jean Marie Latour) and story depth and motivation, metaphors and textures, a sense of fullness and believability, that may not have been accessible to her had she wrote the book as...
Millennial moments are full of auguries and momentum, real promise or sly illusions. They trick us into a sense of tabula rasa, into an exalted feeling of weightlessness from the past and its responsibilities, its phantoms and nightmares, but also from the effort to match and sustain its legacy of greatness and wisdom. It is...
Glimpses of Unfamiliar Japan is the title of an idiosyncratic account of Japan as a country, as a philosophy, as a world and way of life, as the seductive Other seen through Western eyes. It was written by a rather remarkable man, Lefkadio Hearn (who became Koizumi Yakumo), now mostly forgotten. It is an intimate...
He opened his eyes to darkness. He was lying on his back among the crumpled sheets and crushed scattered pillows. He did not know whether it was the church bells that woke him up or the blackbird singing in the laurel bush under his window. He did not even know what time of day it...
Joe felt something behind him. It was the presence of life and the coming of violence, and that anticipation, that sensitivity, enabled him to turn in time and catch the blackjack on his shoulder, which was better than taking it on the back of his head. Also, it was his left shoulder and Joe was...
There is something deliciously provocative about a work of literary fiction that begins with the statement “If it sounds like writing, rewrite it”. It is a pronouncement that holds the reader in irresistible tension: will this prove to be the most flawless of narratives or be exposed instead as the most bombastic of bathetic ironies?...
Hannah Vincent’s The Weaning is a gripping suspense novel about a psychotic childminder who finds herself the perfect job. But as Bobbi seeks to fill the baby-shaped hole in her life, events spiral out of control. Hannah worked as a childminder while she was writing the novel, and here are her tips for writing from...
There is a Latvian goddess of happiness, Laima. It was most probably she who instilled the Latvian language with its rhythmical lilt, its roguish plosives and stops, the stark, spare melodiousness of its musicality. It was most probably she who lured generations of Latvians, both ancient and modern, to their native forests and fields –...
Multiple award-winning Czech novelist and playwright Petra Hůlová’s Three Plastic Rooms takes the form of a foul-mouthed monologue by an unnamed prostitute in city very like Prague, who holds forth on matters regarding her profession, her punters and society at large. It is her second novel to be translated into English, the original Czech edition...
The São Paulo of my novels Gringa and Paradise City has a lot in common with contemporary London. There is gentrification and social cleansing; there is a political elite deaf to the plight of the disenfranchised; there is the tragic collapse of a social housing project; there are acid attacks; there is the dichotomy of...
In the Dark Room, originally published in 2005, is a meditation on mourning and an excavation of memory. It was also Brian Dillon’s first book, and we might see it as the prelude to his subsequent essays on photography and hypochondria, artists and ruins, essayists and what he calls ‘essayism’. How, Dillon asks, does memory...
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
