Marina Warner’s soaring new story collection Fly Away Home echoes with the author’s signature concerns about life’s mysteries, wonders and perplexities through myth, history and the present. Beginning with a tale you can read on these pages, I ask her about the gathering of these stories and their wider themes. MR: A version of the...
In those days the rumour started that there would be an inquiry. Full and frank disclosure, the government kept hinting. A tribunal of independent adjudicators and observers. Independent observers. They’d look into the events thoroughly. And into the sequence of events that led to them, into the decisions and actions that led to those particular...
Peter Swanson’s gripping new thriller The Kind Worth Killing, containing a satisfyingly twisted and murderous plot with nods to Patricia Highsmith, Agatha Christie and James M. Cain, has become an immediate bestseller and is shortlisted for the 2015 Ian Fleming Silver Dagger. He tells us about his influences and reading habits, and about delving into...
In a clip I never tire of watching, filmed on the Scandinavian leg of her 1976 tour, punk-rock legend Patti Smith takes perhaps the tamest song in the Velvet Underground’s repertoire and bawls it at us with a screech that is raw, ferocious, tortured. Her poet’s instincts turn Lou Reed’s bland line “lately you just...
As the BFI London Film Festival attracts the focus of the capital’s critics and movie buffs, and superstar actors crowd the red carpets, we spare a thought for the source novels, biographies and fables that inspired some of this year’s most anticipated main features – including a handful of remastered classics. Brooklyn Adapted by Nick...
There also seems to have been something about the wider context of the here and now that encouraged their work. “What was exciting for us all was that there was a growing momentum around the film when we started working on it, which ran parallel with global awareness and growing social activism highlighting the huge...
Patrick Marber’s Three Days in the Country at the National Theatre. “A ripe-soft pear” was Gustave Flaubert’s term of affection for his good friend Ivan Turgenev. Taken out of context, the term is hardly a compliment. Une poire molle is someone who lacks character, conviction, mettle; yet Flaubert must have meant something very different. According...
Professional models are a purely modern invention. To the Greeks, for instance, they were quite unknown. Mr Mahaffy1, it is true, tells us that Perikles used to present peacocks to the great ladies of Athenian society in order to introduce them to sit to his friend Pheidias, and we know that Polygnotus introduced into his...
Petina Gappah’s dazzling debut story collection An Elegy for Easterly (2009) was shortlisted for the Frank O’Connor International Short Story Award and won the Guardian First Book Award. She tells me how the acclaim and attention surrounding her first book caused her to rethink the novel The Book of Memory, and reflects on her literary...
The middle of August, and by extension the end of summer, is the time of the Perseids – magnificent, prolific meteor showers, majestic shooting stars inspiring us with awe at this glimpse of eternity and immensity, but also forcing us to shudder at the prospect of chaos and human mortality. They herald divine illumination and...
Lauren Groff’s Fates and Furies, longlisted for the National Book Award, is a subtly subversive novel in two halves about impetuous college sweethearts who marry young and learn valuable lessons across three decades about love, art, creativity and power. She shares some hints about keeping the creative urge in check. 1. The blank page...
Sebastian Faulks’ sweeping novel Where My Heart Used to Beat tells the story of an English doctor who has lived through the best and worst of the 20th century and, holed up on a small island off the south coast of France, is challenged by his host to confront his past. We ask what makes...
