Precious weirdness
Claire Vaye Watkins’ I Love You, But I’ve Chosen Darkness, is an immersive, transgressive and darkly funny work of autofiction. Its narrator, a writer named Claire Vaye Watkins, leaves her husband and newborn baby daughter to go on a book tour, which transforms into a wild romp away from the confines of marriage and motherhood,...
from A God at the Door
Tishani Doshi’s latest poetry collection A God at the Door spans time and space, drawing on the minutiae of nature and humanity to elevate the marginalised. Taken together, playfully eclectic in form and metre, the poems traverse history, from the cosmic to the quotidian, taking inspiration from the world at large to bestow power on...
A symphony of life
The daughter of a biologist, the wife of a biologist, and the mother of a biologist, it’s safe to say that Kathleen Dean Moore has an affinity for biology, environmentalism specifically, and comes across as a staunch activist concerning the deleterious effects of climate change in her most recent collection of essays Earth’s Wild Music:...
Escape
Teresa was, on the whole, a serious, earnest woman, with a slightly uneasy smile that barely lifted the corners of her mouth. Her black eyes always seemed to be trying to wrest a secret from the person they observed. She had a thick mane of hair with a streak of grey on the right temple....
Kirstin Innes: Infinite variety
Scabby Queen is a Scottish version of the Old Maid card game in which “the queen goes round and round, and the object is to get rid of her – pass her on to the next one as quickly as you can” – and the person left with the queen is hit over the knuckles...
After shock
On 4 July, a little under six months into Donald Trump’s presidency, I joined a packed audience of over 2,000 at the Southbank Centre’s Royal Festival Hall for an engaging and impressive keynote speech by Naomi Klein based around her latest book No Is Not Enough: Defeating the New Shock Politics. Klein equates Trump’s election...
Burhan Sönmez: Istanbul light and dark
Burhan Sönmez’ latest novel Istanbul Istanbul is set in a cramped two-by-one-metre prison cell beneath the teeming city, where a student, a doctor, a barber and a frail activist regale each other with stories, parables and riddles to fill the time between brutal interrogations. Readers are transported from the oppression of the dingy cell by...
