Joe Buck!
In his new boots, Joe Buck was six-foot-one and life was different. As he walked out of that store in Houston something snapped in the whole bottom half of him: A kind of power he never even knew was there had been released in his pelvis and he was able to feel the world through...
First date
I met Finn outside the BFI. It was my idea to go there; if he turned out to be incredibly unattractive or boring, at least I’d have seen one more Derek Jarman film, which would give me something to talk to my dad about. I stood at the entrance, eavesdropping on a conversation between two...
Angry young, frail old man
Over two hundred films, mostly blockbusters, made over the past fifty years. Compiling a top ten list for Amitabh Bachchan is by definition an impossible task. It is also a frightening one as even the most considered, academic of lists must exclude beloved films. The films below are not necessarily his most successful, nor are...
Near death – and resurrection
On 25 July 1982, Amitabh Bachchan was injured in Bangalore while shooting for Manmohan Desai’s Coolie (Porter, 1983). The shot required a simulated punch to the star’s abdomen, a fall on a desk, followed by a half-somersault to the other side of the desk. Bachchan refused a body double and shot the sequence himself. The...
Shoot the writer
As the BFI London Film Festival attracts the focus of the capital’s critics and movie buffs, and superstar actors crowd the red carpets, we spare a thought for the source novels, biographies and fables that inspired some of this year’s most anticipated main features – including a handful of remastered classics. Brooklyn Adapted by Nick...
From page to screen
The hype around the release of Gone Girl is a useful reminder that around half the top-grossing films of the last two decades have been literary adaptations. Bringing a well-loved book to the big screen is relatively risk-free, and this is reflected in the programme of the London Film Festival, the 58th edition of which...
