"As writers we have a responsibility, sometimes, to make the future seem real.” John Ironmonger
Posts tagged "Contexts"
Very like a whaler

Very like a whaler

Among the great books of the sea, Herman Melville’s Moby-Dick; or, The Whale of 1851, has few peers. Around the simple narrative of Captain Ahab’s obsessive pursuit of the great white whale that had taken his leg, the whale’s deliberate destruction of his ship, and the loss of all but one member of the crew,...
Apocalypse never

Apocalypse never

In his Brief Theory of Travel and the Desert, skilfully translated with grit and brio by Jacqueline Minett, Cristian Crusat orchestrates a syncopated arrangement of six stories suspended in time and space, relating the experience of being and non-being through stunted snapshots from the lives of disparate, seemingly ordinary and inconsequential characters. Their insignificance, we...
Searching for angels

Searching for angels

Landing by Laia Fàbregas is a rare find – a narrative of worlds lost and found, of words that are vital and impossible to translate, of human communion, and communication that must be retrieved in its utmost simplicity from the plexus of relentless alienation and multi-layered facelessness that characterises the aftermath of our post-modernity. Above...
The day of reckoning

The day of reckoning

US District Court, Tampa, Florida March 26, 1990 Armed guards led me into a tiny, windowless room in Tampa’s US District Courthouse. Through the glossy mahogany walls came the muffled voices of lawyers arguing and the response of an unruly crowd. On the other side of the door, I was about to do battle with...
Unfinished business

Unfinished business

There is a singular sense of feverish neutrality in Thanassis Valtinos’ writing. A cinematic poise, a travelling eye, a dramatist’s instinctive flair for tension, voice, climax, the lull that contains more menace than any thundering explosion; a perpetual game of darkness and light, an omniscient narrator who never divulges all he knows. Valtinos was born...
Thirteen ways of looking at Guernica

Thirteen ways of looking at Guernica

In the 1930s, the Spanish Reds are promising paraisos to their new recruits. A world freed from class distinctions, slave labour, poverty and squalor, and especially a world liberated from religion – that celebrated ‘opium of the people’. At the same time, those sceptical of Soviet ideology, or vehemently opposed to it, seek to deflect...
Testing a fantasy

Testing a fantasy

We all have that magic place — the place where we get to be the we that we don’t at home, the place where we should have been born, or moved by our parents if only they had the right judgement. For my mother, that place is London. My best explanation is that, as a...
Love all

Love all

What is literature if not a way to frame our vision of the world? What is language if not a prism through which to think, explore, relate, question, resolve, civilise – or merely (and vitally) voice despair? And what is love if not the ultimate Socratic demon, fusing together human lives, welding experiences, yielding truths,...
Worth watching

Worth watching

Woody Allen’s Manhattan begins with a montage of iconic New York City locations. Park Avenue, the 59th Street Bridge, the Staten Island Ferry; captured in sleek-as-silver Panavision black and white, a procession of these marvels dazzles the eye, while in our ear Allen’s voice agonises over the opening lines of a novel he’s writing. “Chapter...
Behind the black gates

Behind the black gates

When I wrote my novel The Exclusives, a psychological thriller set in a boarding school, recollections of my own school days played some part in underpinning themes of the book. I was sent to a boarding school when I was thirteen. One of my overriding memories of the place is the school gates. They were...
Blood well shed

Blood well shed

Early in his debut crime novel Clinch, Martin Holmén makes a play at our sympathy. Waiting for a business contact in the streets of 1930s Stockholm late one autumn evening, former boxer Harry Kvist spots a man beating a stray dog across the way. Kvist is quick to call the man out on his cruelty,...
All too human

All too human

The French have an unflinching predilection for narratives that penetrate the veils of the private, the personal, the intimate – the vital experience of the unsayable. With dogged perseverance they will read confessions, autobiographies and diaries of all kinds, monumental epistolary collections, and torrents of conscience worthy of many Niagara Falls. They are masters of...