Land of eternal spring
I decided to write The Mastermind for two reasons. After publishing four novels set during different periods of Guatemala’s history, I wanted to see if I could write a book that dealt with an incident grounded in my birthplace’s contemporary reality. Secondly I was intrigued by the internationally reported 2009 Rodrigo Rosenberg case in which...
Knowing my place
“Ketrin,” my mother-in-law said, “Come over here. You’re good at writing.” My heart started to beat a little quicker, and I felt beads of sweat popping on the back of my neck. I was ashamed. Why would a simple comment like that invoke such an immediate physical reaction? We were at Easter lunch in Naples,...
Squinting at DeLillo
“I thought, Is this the world as it truly looks? Is this the reality we haven’t learned how to see?” Artis Martineau, Zero K Those who came of age in the nineties will no doubt remember the Magic Eye craze. Many will recall the fraught minutes spent studying these seemingly-abstract images, trying to ‘relax’ our...
In praise of evanescence
A sense of bemused confusion and intrigued curiosity is the audience’s first impression of David Zinn’s set for Annie Baker’s The Flick, currently at the National Theatre following a strong and successful season in New York, where it won the Pulitzer Prize for Drama. There are seats on either side of the space that ought...
A mirage of horrors
“Our language lacks words to express this offence, the demolition of a man.” Primo Levi The question of how one writes, thinks or speaks about the holocaust and the ideologies and sociohistorical conditions that spawned it, is perhaps as vital now as it was in the direct aftermath of a period when the word ‘hell’...
Divine wonderlands
Since at least the early twentieth century, the question of identity, the vital reality or stark falsehood of such a concept, has been at the core of the most serious literary writing. From existential anxiety and historical misappropriation, to the dispossession or conscious denial of individuality, writing now seems to be at an even more...
All true stories are fiction
A few weeks ago, when I was in London to present my book about Moscow, I was asked – like many a debut author – how much of the story was based on my own experience. This was just after my first public reading, I was still shaken, and I blurted out a clumsy response...
Greatly exaggerated
It seems to me that if you’re a critic wanting to make a name for yourself in a particular field, there’s one surefire way to accomplish that goal. Film critics, quit pouring your heart and soul into that piece that will forever alter the way we look at Citizen Kane. Music-mag columnists, forget about the...
Memory’s martyr and keeper
Patrick Modiano has often said that he is writing constantly, persistently, invariably but with almost infinite variations, the same book. And at the centre of each of his novels, almost like a reverberating echo or clinging shadow, is the story of himself in search “for mystery where there was none”, for the “transparency” (of memory,...
Hidden agenda
Do you know whom you work for? Are you sure? I myself had my first doubts thirty years ago, when I was attending an expensive university that my family couldn’t afford. Which meant I had to work paying jobs constantly – part-time gigs during the academic year, and full-time temporary jobs during week-long spring breaks...
About a girl
Annie Ryan’s acclaimed stage adaptation of Eimear McBride’s 2014 Baileys Prize winning novel A Girl is a Half-formed Thing has begun its sold-out run at the Young Vic. The 80-minute multi-voiced monologue performed by Aoife Duffin reveals the thoughts and experiences of a physically and psychologically damaged young woman. It’s a triumphant and devastatingly intimate...

