Meeting Monsieur
Drawing on Victor Hugo’s cryptic diary entries and letters from his wife, Catherine Axelrad’s Célina builds a snapshot of a teenage chambermaid in the Hugo household during the author’s exile in Guernsey, who was apparently prey to the great man’s gargantuan sexual appetites. With a mix of mischief, naivety, pragmatism and curiosity, Célina’s account of...
Lore Segal: A life in stories
Lore Segal published her first Ladies’ Lunch story, ‘The Arbus Factor’ in The New Yorker in 2007, and the most recent, ‘Soft Sculpture’, in summer 2022. For her extraordinary new collection, published to coincide with her 95th birthday on 8 March 2023, she brings three new stories together into a sequence with earlier stories published in The New Yorker and elsewhere....
Grandmother and get me out of here
She wakes up. Where is she? The sheets feel damp. Wallpaper. Probably a bedroom. Her feet feel hot. Slippers on. She pushes them off. Carpet. Ugly, ugly carpet, she has the same one at home but it’s much nicer. Bookshelf. Brown and white, gilded spines. Books. Tito’s biography. Then Meša Selimović, Abdulah Sidran, Saša Stanišić,...
The story of their history
The experience of lost places of belonging, of lost states of existence, together with the tenacity to defy and resist both loss and non-being, are deeply ingrained in the Russian language: thanks to Maxim Gorky, a term such as Бывшие люди, or ‘former people’, would come to acquire an eerily tangible corporeality, reality, and even...
Dante’s nose
Early in the morning of September 1321, Dante died of malaria in Ravenna. Looking at the images (pictorial or sculptural) that we have of him, and considering the corpus of his work, especially the impact he was to have on our understanding of European culture in the centuries to come, one would think this would...
Piercing prisms and Persian perspectives
“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
Négar Djavadi: Neither here nor there
French-Iranian screenwriter Négar Djavadi’s illuminating, richly entertaining debut novel Disoriental combines a sweeping family history in 20th-century Iran with an intimate study of identity and motherhood in contemporary Paris. Kimiâ Sadr is a lesbian punk rocker who spent her teenage years in the French capital after the family fled the trauma of Iran’s 1979 Islamic...
An absence full of presence
What You Did Not Tell: A Russian Past and the Journey Home by Mark Mazower is an eloquently written rhapsody on the art of remembering. It is rhapsodic both in the primary sense of the word, in that it is a chronicle exuding a certain air of poetry and exalted, almost epic feeling, and in...
Shakespeare’s exiles
A tempestuous and disproportionate furore erupted in the media after Benedict Cumberbatch used stronger terms than usually expected to entreat the audience at a recent production of Hamlet at the Barbican to show support for the refugees arriving on Europe’s shores. The actor’s reaction, after being presented with a CBE by the Queen for his...
