In service of the voice
Tim Baker’s debut novel, the much-discussed thriller Fever City, follows the desperate efforts of a disgraced ex-cop and a ruthless mob hitman to rescue the kidnapped son of America’s richest man. But the two men soon become ensnared by a sinister cabal intent on seizing power by killing President Kennedy. Where are you now? At...
Spooks and mirrors
There are good reasons why an imagined world of spies and spycraft has provided an alluring backdrop for British fiction and, subsequently, British cinema and television for more than a hundred years. It is a land that is regularly visited, with a long list of explorers, from Kipling, at the very beginning of the twentieth...
Lost in story
Peter Swanson’s gripping new thriller The Kind Worth Killing, containing a satisfyingly twisted and murderous plot with nods to Patricia Highsmith, Agatha Christie and James M. Cain, has become an immediate bestseller and is shortlisted for the 2015 Ian Fleming Silver Dagger. He tells us about his influences and reading habits, and about delving into...
A fruitful distillation of old and new
Patrick Marber’s Three Days in the Country at the National Theatre. “A ripe-soft pear” was Gustave Flaubert’s term of affection for his good friend Ivan Turgenev. Taken out of context, the term is hardly a compliment. Une poire molle is someone who lacks character, conviction, mettle; yet Flaubert must have meant something very different. According...
Petina Gappah: Trillion dollar questions
Petina Gappah’s dazzling debut story collection An Elegy for Easterly (2009) was shortlisted for the Frank O’Connor International Short Story Award and won the Guardian First Book Award. She tells me how the acclaim and attention surrounding her first book caused her to rethink the novel The Book of Memory, and reflects on her literary...
The eye of the Gorgon
The middle of August, and by extension the end of summer, is the time of the Perseids – magnificent, prolific meteor showers, majestic shooting stars inspiring us with awe at this glimpse of eternity and immensity, but also forcing us to shudder at the prospect of chaos and human mortality. They herald divine illumination and...
53 ways to improve your short stories
The author of We Don’t Know What We’re Doing has thought quite a bit about how best to approach writing short fiction. We asked him to compile a list of do’s and don’ts and suggested reading that might help practitioners at any stage of their craft. 1. Read Flannery O’Connor. Now. 2. All characters think...
It’s all about you
Kate Griffin won the 2012 Faber/Stylist Magazine Crime Fiction writing competition. Her entry was the basis for her debut novel Kitty Peck and the Music Hall Murders, shortlisted for the 2014 CWA Endeavour Historical Dagger. The second in the series, Kitty Peck and the Child of Ill Fortune, is published by Faber & Faber on...
On the cusp of wherever
I am on a beach holiday and it is raining. Still, we sit out, under the umbrellas, because we’re told that it will pass, and there is nothing else to do, and the children are swimming regardless. The rain has delighted them, but I am cold. Everyone around me holds a book, or device. In...
Think smarter
Laura Lippman’s latest novel Hush Hush sees her ballsy Baltimore private detective Tess Monaghan as a flustered new parent plunged into a disturbing case involving the death of an infant and a venomous stalker. She shares her tips on maintaining suspense in crime fiction by keeping readers sympathetic, engaged and always on the alert. 1. Don’t be...
Andrew O’Hagan: Friendly fire
I have tea with Andrew O’Hagan one morning at his house in Primrose Hill. We start talking about Seamus Heaney, a great friend of O’Hagan’s who died two years ago. I ask if he misses Heaney. “Oh, every day. He had this brilliant tendency to take you under his wing, to be concerned about you...
Imagining the unthinkable
The Girl in the Red Coat begins with that premise – a missing child – that strikes fear in the hearts of any parent. It’s not anything I particularly intended to write about at all. But once the story came to me I found it difficult to stop. The idea first came to me as...
