Nick Bradley: Tokyo calling
Nick Bradley’s debut novel The Cat and The City offers a dizzying ride through the underbelly of a Tokyo normally invisible to outsiders. Artfully combining different styles of popular storytelling – from horror, Sci-Fi and fantasy to detective fiction and even manga – the lives of a disparate band of characters are deftly intertwined. A...
Unflinching and unforgettable
Catriona Ward’s superbly crafted, atmospheric new novel Little Eve continues to expand her oeuvre as one of the most interesting writers in Britain today. Following on from her stunning gothic debut Rawblood (winner of the Best Horror Novel at the 2016 British Fantasy Awards, and shortlisted for the Authors’ Club Best First Novel Award), Little...
The end of the world that never came
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
Kate Murray-Browne: Buyer beware!
Kate Murray-Browne’s brilliantly suspenseful first novel The Upstairs Room has been described as a ‘property horror story’. Eleanor and Richard, an editor and lawyer respectively, move into a large four-bedroom house in East London with their two small daughters. The house is at the upper limit of what they can afford and Eleanor feels uneasy...
Watching the river flow
The creative process is a funny thing, but when I’m in the middle of it I don’t do much laughing. As an idea gestates in my mind, hour upon hour of writing time can flit by with my skull hitting the desk more frequently than my fingertips hit the keyboard. Trying out a new genre...
The house by the woods
It is a few minutes past one in the morning when the front door slams shut. Anyone remaining in the house – but there is no one – would be able to hear, through the closed door, the footsteps of three people hurrying across the porch and down the stairs. There are voices, too –...
A breath of sadness
“Like a breath of sadness” is how Edvard Munch felt at the time he painted The Scream. “I stood there shivering from dread – and I felt this big, infinite scream through nature,” he wrote in his diary for 1890–92. A reader of Larry Tremblay’s The Orange Grove will inevitably feel the same – will...
Out there
The Doll Funeral began as an image of a young girl running out from the back door into an unkempt garden. In my mind it’s as if there is a camera tracking behind her. The camera follows her out into the garden where she jumps off the step, runs through the overgrown grasses and begins...
Jenn Ashworth: Into the dark
I wouldn’t have expected Jenn Ashworth to be nervous at this stage in her career. Perhaps a couple of novels ago she might have worried that the 2010 Betty Trask prize she’d snagged for her debut A Kind of Intimacy had been beginner’s luck. But her 2011 follow-up Cold Light landed her on the BBC Culture Show’s list of the Twelve Best New...
Apparitions
One afternoon on a weekend in March, Dewi Ayu rose from her grave after being dead for twenty-one years. A shepherd boy, awakened from his nap under a frangipani tree, peed in his shorts and screamed, and his four sheep ran off haphazardly in between stones and wooden grave markers as if a tiger had...
Julie Myerson: Seeing the bad stuff
The Stopped Heart is Julie Myerson’s ninth novel (she has also written one novella and four works of non-fiction). It may just be her best book yet as it manages to be both a page-turning thriller and a serious exploration of how abuse works. If that sounds off-putting, it shouldn’t be – whilst her subject...