Fiction and climate change
Our dog used to have minor health issues, and so we often had to come up with inventive ways of giving her pills. Many a morning I had a soggy pill spat out in my face, Lumina the dog with her beady eye daring me to try that again. It was not tasty, it was...
Hector Bisi: Not just dandy
Writer and dandy Hector Bisi was born in Belém, in the Brazilian Amazon, and has donned several different hats since, working as an engineer, copywriter and modelling agent. He caused a bit of a stir some years ago with the publication of his debut novel Copacubana, which tells the tale of the owner of a...
Bad boys
Author’s note: What you’re about to read isn’t meant to be a positive or negative image or metaphor of Paris. Whether good or bad, beyond or besides all the clichés, and despite its possible arrogance, this book is meant to be Paris. One possible September Beau Patrick returned. Paris wasn’t there anymore. A year...
Ukamaka Olisakwe: Breaking free
Ukamaka Olisakwe’s fierce, measured, ultimately hopeful novel Ogadinma, rightly dubbed “a feminist classic in the making”, is an unflinching portrait of female survival and inner strength in the face of multiple harrowing obstacles in modern-day Nigeria, where patriarchal rules and behaviours are ingrained but fought against daily by the nation’s women. The eponymous heroine is...
Han Kang: To be human
Han Kang’s The Vegetarian, her first novel to be published in English, is a haunting, startling and poetically rendered story about shame, alienation, rage, metamorphosis and desire in present-day South Korea. I meet her, with translator Deborah Smith and interpreter Kyeong-Soo Kim, to discuss its themes of identity and humanhood. MR: The Vegetarian was published...
