Playing God
Nikita Lalwani’s latest novel You People poses the tantalising question: in a world where the law is against you, how far would you be willing to lie for a chance to live? Set in London pizzeria where half the kitchen staff are undocumented immigrants, it is a witty and humane snapshot of undervalued lives and...
Capital Crime: Debut festival of the year
Like so many of life’s wonders, Capital Crime was conceived in the back of a New York taxi cab. The idea came to David Headley and Adam Hamdy while they were attending Thriller Fest. A world-class city like London needed its own high-profile crime fiction festival and they were going to be the ones who...
A neighbourly word
All around them, all this time, things were changing and continued to change. As Mrs Glass said, the place wasn’t the same. If she hadn’t lived right through the changes, she told her friend Mrs Fletcher, she wouldn’t have recognized it, she would have walked up the street and right past her house and not...
Food: Bigger than the plate
This new exhibition at the V&A’s Gallery 39 and North Court explores how innovative individuals, communities and organisations are radically reinventing how we grow, distribute and experience food. Taking visitors on a sensory journey through the food cycle, from compost to table, it poses questions about how the collective choices we make can lead to...
Stepping into the dark
A lifelong passion for gothic novels led Sara Collins to give up a career in law and test her mettle as a fiction writer. We catch up with her in the midst of a whirlwind US tour ahead of publication of her hotly anticipated debut The Confessions of Frannie Langton. Where are you now? I’m...
First date
I met Finn outside the BFI. It was my idea to go there; if he turned out to be incredibly unattractive or boring, at least I’d have seen one more Derek Jarman film, which would give me something to talk to my dad about. I stood at the entrance, eavesdropping on a conversation between two...
A remarkable woman
As I made the final corrections to the proofs of my debut novel Attend, I was asked by my publisher whether I wanted to include a dedication. Having toyed with some names – a few people in my life I thought might fit the bill, the idea came to me that I should dedicate this...
Shadows and elevations
With his camera and notebook, Jack London circles Hawksmoor’s Christ Church. He does not look up at the portico, the threatening mass of columns, ledges and alcoves. The Mayan dagger of the steeple. He does not step beyond the defensive railings. He stays outside. A photograph from distance, in which men are sprawled, sick or...
Independent voices
Commissioning editors once held sway at the large publishing companies. They were respected for their knowledge and idiosyncratic flair in spotting potential new literary talent. The advent of digital and Amazon, and the subsequent focus on financial performance have constrained the more experimental natures of big publishers, leaving the field open to independents. Daring, risk-taking...
Louise Candlish: Location, location
Louise Candlish’s twelfth novel Our House is an outstanding thriller that has been receiving high praise. I had the good fortune to meet Louise earlier this year in Bristol where we were both attending Crimefest. A few weeks later I received a copy of Our House in the post. Set in a leafy London suburb...
Over the line
All writers should plant sleeper agents in bookshops, to be activated when their novel starts to peep over the parapet. I am fortunate to have the wonderful Mr B’s Reading Emporium just around the corner from me, and have been receiving coded signals about my debut novel, Testament. “It’s appeared on the system!” “It’s available...
The starving father-man
In the Metropolitan Museum of Art, which sits so large and many-stepped on Fifth Avenue in New York, there is a section on the first floor referred to as the sculpture garden, and I must have walked past this particular sculpture1 many times with my husband, and with the children as they got older, me...
