Heart to heart
It’s August in Tunisia, I come across this scene. Before the wrought-iron window frame, in full sunlight, you can come and see what’s happening now as well as what has happened, you can sit and wait for the sounds to return, for the smells, the gestures, the words to revive and it’s suddenly all so...
Write what you want to forget
What do you do with the things that cannot be expressed? Where do you put the things you cannot say? What do you do when words don’t work? In the opening pages of The Argonauts, Maggie Nelson cites Wittgenstein: “the inexpressible is contained – inexpressibly – in the expressed.” This is, she says, why she...
A complex complicity
“I’ve forgotten such a lot. Most of it, really. Certain things stick of course, although I’ve no idea why. I don’t understand how it works. I read something and then I go across the room to check what’s for dinner and completely forget what I’ve just read. I think, wait a minute, I’ve only just...
“I remember a macabre joke…”
“The witnesses of the Holocaust are old and nearing death. The murder of 6m Jews… will soon be history, not memory… The new horror is that this Everest of evidence [that now exists on Nazi Germany and the Final Solution] may not be working as a warning,” wrote Bryan Appleyard on 20 January 2019 in...
The sins of our future
Many years ago, a young boy from an affluent Egyptian family was travelling with his parents by train to their summer house somewhere deep down the valley of the River Nile. This was a journey he had made many times as he grew older. Each time, the curtains of their first-class carriage were pulled tightly...
Great expectations untold
In 1949 an Australian man is travelling around Europe – a Europe that has only recently emerged from the cataclysmic shock of WWII, and still very much bears the marks of unhealed, perhaps unhealable searing wounds. This man, Denison Deasey, carries with him an aura of mystery and of multiform tragedy, of fate eluded and...
from Passport
Richie McCaffery’s second poetry collection is a vivid exploration of place and displacement, boundaries and borders, creativity and doubt. As he writes about anxiety, loss and dislocation, he asks us to consider what it means to belong, and how we find our place in life, in love and in language, and in our pasts. ...
Tishani Doshi: Saying it out loud
Tishani Doshi’s Girls Are Coming Out of the Woods is an unflinching, tender, witty and wise collection of poems about danger, memory, beauty, time and tide, and transient but treasured joy. I catch up with her at the start of a marathon book tour that takes her from London and Newcastle to Ireland and Cornwall...
Finding stories in America’s heartland
Ideas come to writers in myriad ways. Anything is game, be it a newspaper article, an overheard conversation or a story passed down through a family for generations. The more open-ended the better, as it gives the writer more room to develop the story in their way. Novels may be based on the same ideas...
Through the valley of shades
In the Dark Room, originally published in 2005, is a meditation on mourning and an excavation of memory. It was also Brian Dillon’s first book, and we might see it as the prelude to his subsequent essays on photography and hypochondria, artists and ruins, essayists and what he calls ‘essayism’. How, Dillon asks, does memory...
The end of the world that never came
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
The life of art
My friend and I went walking the dog in the cemetery. It was a Melbourne autumn: mild breezes, soft air, gentle sun. The dog trotted in front of us between the graves. I had a pair of scissors in my pocket in case we came across a rose bush on a forgotten tomb. “I don’t...
