The end of the world that never came
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
The life of art
My friend and I went walking the dog in the cemetery. It was a Melbourne autumn: mild breezes, soft air, gentle sun. The dog trotted in front of us between the graves. I had a pair of scissors in my pocket in case we came across a rose bush on a forgotten tomb. “I don’t...
Dad after Mum
In the mornings I was still a daughter – a long hoped-for child born in early autumn. I opened the door to his study cautiously, afraid to wake him up, but he was already sitting in his armchair facing the window. Without greeting him, I went straight to the kitchen, poured some fresh apple juice...
The truth of the lie
“The duty of art (or of thought) consists in showing us the complexity of existence in order to make us more complex, in examining the mechanics of evil, so that we may avoid it, and even the mechanics of good, perhaps so we may understand them”. This is Javier Cercas’ declaration of intent at the...
Elegy in E minor
Of a summer in Spain, where she is vacationing as a university student, M.A. will mostly recall “the portraits of Franco; you thought that was just his first name and you were surprised everyone was on such familiar terms with a head of state.” It is this subtle blend of French phlegm, disingenuously simulated naiveté...
A fresh start
She had decided to make a fresh start. She had to make a fresh start. And as soon as she arrived at the small apartment-hotel, chosen at random and booked in Barcelona through a travel agent, she thought it was the ideal place to allow her to stop wondering “How do I go about it?”,...
Catching the past
In 2014, Otto de Kat wrote a short essay for PEN, where he gives a poetic yet also practical definition of the art and skill of writing historical fiction, of crafting novels whose life must be fictional, and yet feistily rooted in factual reality. This genre has been his own home since 1998, when he...
A memory of memory
Memory is our own unreliable narrator. It forgets things that matter and recalls other events that never happened. It can slip away like receding mist or haunt us in a perennial nightmare. To the extent that they track selves through time, all novels are about memory. But some are more concerned with the notion than...
Steven Uhly: A life of encounters
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
The hydra of memory and forgetting
“If you have no wounds, how can you know you are alive?” wrote Edward Albee in 1998’s The Play About the Baby. Steven Uhly’s Kingdom of Twilight could be said to be all about physical, psychological and historical wounds and about the true meaning of knowing oneself to be alive – the true worth of...
Memory’s martyr and keeper
Patrick Modiano has often said that he is writing constantly, persistently, invariably but with almost infinite variations, the same book. And at the centre of each of his novels, almost like a reverberating echo or clinging shadow, is the story of himself in search “for mystery where there was none”, for the “transparency” (of memory,...
Greetings from Fürstenfelde
The vixen lies quietly on damp leaves, under a beech tree on the outskirts of the old forest. From where the forest meets the fields – fields of wheat, barley, rapeseed – she looks at the little group of human houses, standing on such a narrow strip of land between two lakes that you might...
