A breath of sadness
“Like a breath of sadness” is how Edvard Munch felt at the time he painted The Scream. “I stood there shivering from dread – and I felt this big, infinite scream through nature,” he wrote in his diary for 1890–92. A reader of Larry Tremblay’s The Orange Grove will inevitably feel the same – will...
Catching the past
In 2014, Otto de Kat wrote a short essay for PEN, where he gives a poetic yet also practical definition of the art and skill of writing historical fiction, of crafting novels whose life must be fictional, and yet feistily rooted in factual reality. This genre has been his own home since 1998, when he...
In the shadow of Vesuvius
My starting point for Hell’s Gate was a desire to tell a story about an actual descent to the underworld, a person venturing into the kingdom of the dead to find someone. Could today’s readers still believe in such a thing, I wondered, and was their thirst for the epic and mysterious strong enough to...
The river of tears
The doors closed again. Matteo found himself looking over a huge open expanse. He was standing on a plain covered in black grass. It looked like those fields that Tuscan farmers burn in summer to fertilise them. Nothing else was growing as far as the eye could see except for that short grass, black and...
Cloak and dagger à la Russe
The family of Governor Yegor von Rasimkara, we are told early in Ricarda Huch’s The Last Summer, have only one defect all told: that of “belonging to an era that must pass” – in order to make room for the one impatiently keen to take its place. A generally endearing walrus of a father in...
A total portrait of the artist as an absence
Elena Ferrante is traditional in the most radical, boundary-dissolving ways; conventional with subversive fervour and delicately powerful talent. In Frantumaglia: A Writer’s Journey she proves above all the invincible strength of her authorial translucence, the rock-solid presence of her so-called anonymity, which she invariably corrects as being a determined gesture of absence. The word frantumaglia,...
Driving to distraction
Sonja is sitting in a car, and she’s brought her dictionary along. It’s heavy, and sits in the bag on the backseat. She’s halfway through her translation of Gösta Svensson’s latest crime novel, and the quality was already dipping with the previous one. Now’s the time I can afford it, she thought, and so she...





