from Please Do Not Touch This Exhibit
When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
A semblance of order
Ana Sampson’s latest poetry anthology Gods and Monsters, illustrated by Chris Riddell and with a foreword by Natalie Haynes, draws together classic and brand-new mythological poems from around the world. With retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit myths, it includes poems from Neil Gaiman, W.B. Yeats, Kae Tempest,...
from The Dogs
This book came about from an encounter. Every day for over ten years, I passed a dog tethered in a yard on Low Lane near where I lived. He was guarding a pile of scrap metal. His only shelter was a corrugated sheet. He had a bowl of rainwater and his leash allowed him little...
from A Change in the Air
In Jane Clarke’s third poetry collection A Change in the Air, voices of the past and present reverberate with courage and resilience in the face of poverty, prejudice, war and exile and the everyday losses of living. Across six sequences, these intimate poems accrue power and resonance in what is essentially a book of love...
from It Must Be a Misunderstanding
Mexican poet, teacher and translator Coral Bracho was born in Mexico City in 1951. She has published several books, two in English thanks to poet-translator Forrest Gander, who has put this composite volume together, the first extensive compilation of Bracho’s work to be published in the UK. A wide selection from Bracho’s earlier collections is...
from Border Zone
John Agard has been broadening the limits of British poetry for the past 40 years. His ninth Bloodaxe collection, Border Zone, explores a far-reaching canvas of British/Caribbean transatlantic connections, sweeping across centuries and continents. It’s a diverse collection in which the thought-provokingly mischievous, bawdy, elegiac and satirical rub shoulders with the sequence The Plants Are Staying Put –...
from Museum of Ice Cream
Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying; also touching on television, childhood films and social media accounts, the collection investigates how to reveal...
The women who save you
The success of a journey depends on your fellow travellers. The poems in Night Feeds and Morning Songs remind me that we are not alone. Women walked and will walk this way, with their babies cocooned in their buggies or bound to their chests, hundreds of years ago, and yesterday, and tomorrow. They have wiped...
from Mother, Nature
Aoife Lyall’s debut collection Mother, Nature explores the tragic and tender experiences of pregnancy and early motherhood, from antenatal complications and the devastating pain of miscarriage to the overwhelming joy of healthy delivery and healthy infancy. “Nothing prepares you for the loss of a child,” she writes in her prefatory note. “I turned to what...
from Lumen
How might poetry help us articulate the body in illness, in work, and in love? Tiffany Atkinson’s fourth collection includes the sequence ‘Dolorimeter’, which won the 2014 Medicine Unboxed Prize. Taking fragments of speech and found text from a hospital residency at Bronglais Hospital in Aberystwyth to pay homage to the inventiveness and humour of...
from Revolt Against the Sun
The Iraqi poet Nazik al-Mala’ika was one of the most important Arab poets of the twentieth century. A pioneer of free verse poetry, over four decades she transformed the landscape of modern Arabic literature and culture. Revolt Against the Sun, edited, translated and with a comprehensive introduction by Emily Drumsta, presents a selection of al-Mala’ika’s...
Two sea ballads
David Constantine’s eleventh poetry collection, Belongings, is concerned both with our possessions and with what possesses us. The poems ask: Where do you belong? And have in mind also the hostile: You don’t belong here. Go back where you belong. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which...
