"To write anything worth reading you have to put everything you have into every sentence. There can be no lazy thinking, no clichés, no borrowed tropes, no third-hand experience; there can be no hiding.” Miranda Darling
October 2023
We and our cats

We and our cats

I am writing this now in my home in rural Ibaraki, just north of Tokyo, which I share with my husband and our three cats. We bought this old house ten years ago, did a major renovation on it, and moved in just over eight years ago. As we were moving in, one of our...
A summer night

A summer night

I WAS APPROACHING ST. VITUS CATHEDRAL from the Old Castle Stairs. Night had fallen, and the first stars were appearing in a clear sky. The chancel – a black silhouette of columns, flying buttresses and pinnacles – rose before me. The castle’s courtyard opened up to my left. The place was deserted and so quiet,...
Liminal spaces and impossible things

Liminal spaces and impossible things

I’ve been obsessed with and seduced by the notion of liminal space since childhood. It began with The Chronicles of Narnia. As an eight-year-old I devoured The Lion, the Witch and the Wardrobe and, long after the story started to fade the obsession with wardrobes remained. My paternal grandmother lived in a large, spooky Victorian...
The sparks of an obsession

The sparks of an obsession

I WAS EIGHT WHEN I REALISED that stories were not simply magic; that they didn’t arrive into the world already formed. Like puppies or babies or films. Two months before that birthday, the very first non-Congress government had swept to power in India, and with it, the end of the Emergency which had suspended civil...
Connecting with lost souls

Connecting with lost souls

My third novel Hazardous Spirits is set in Edinburgh in 1923. The story follows Evelyn Hazard, whose husband Robert wakes up one day and announces that he can speak to the spirits of the dead. Like many strange tales, the idea for this novel originated during an unusual blind date. I arrived late to the...