“It is nice when two people come together in the universe,” Huma Qureshi remembers telling her young son in the opening pages of How We Met. He promptly asks how she and his dad Richard came to be together, and so begins Huma’s story of her quest for married love. It’s a short book –...
There’s a movie I love called The Red Violin, by Canadian filmmaker François Girard. I was in university when it came out in 1998, and watched it in one of those old theatres where the seats were upholstered in rough velour, the tickets were cheap and the popcorn stale. The Red Violin, if you’re not...
Specific leitmotifs dominate any attempt to weave together a narrative of the history of Romania and Hungary during the Second World War: the complex, troubled, vital historical background of the Austro-Hungarian and Ottoman empires, and the emergent territorial claims of the Soviet Union; the cultural, ethnic and demographic tessellation of the region; the inalienable plexus...
In the few days that had elapsed since the ghetto was set up in the little Carpathian town of Ostrov, the Jewish Council, the so-called Judenrat, had succeeded in being neither good nor bad, but rather in being wholly naïve. Appointed chairman of the council, Mr Faivel Fischknopf was an elderly Jew with a little...
I was expecting more from Sea State by Tabitha Lasley (Fourth Estate, 4 February). I wanted to get a real insight into the lives of an offshore platform in the North Sea, but instead this book was more about the messy life of a 30-something writer who was running away from herself and trying to...
Imagine a perfect (imperfect), remote and rural, Volkisch German landscape: replete with lush meadows and muddy, green pastures, well-ordered small villages abuzz with their perennial hierarchies of landed gentry, newly rich bourgeois grandees, the teachers and clergy, the pure and echt common Volk of farmers and housewives, the idle, reminiscing elderly, the burgeoning young. A...
People Like Her, by husband-and-wife team Collette Lyons and Paul Vlitos writing as Ellery Lloyd, is a razor-sharp psychological thriller that picks at the dark edges of our obsession with social media and the peculiar world of online influencers. Emmy Jackson is an Instagram sensation as @the_mamabare, telling the world all about her trials and...
It’s 1349 in the Season of the Plague. The Black Death is scorching its path through England, leaving half the population dead in its wake. Folk suppose it’s a lethal miasma of foul airs. Or maybe it’s God’s punishment for human corruption. Or perhaps vagrants and money-lenders have been poisoning the wells. Medicine doesn’t help....
‘Workplace’ is a vague, literal term. It’s too broad to conjure an image, though it might summon a feeling. (For some: not here again, for others: here we go!). Nowadays my workplace is also my dinner table, the place where I wrapped Christmas presents I’m yet to give. But old, paused office life was fertile,...
Latvian prodigy Gints Zilbalodis’ critically acclaimed debut animated feature Away is a stunning, dialogue-free film about a boy travelling across an island on a motorcycle, trying to escape a dark spirit and return home. Along the way, he makes a series of connections with different animals and reflects on how he may have ended up...
Bryan Washington’s debut story collection, Lot, a sweeping overview of Houston’s ethnically diverse communities that dips in and out of the life of a gay, mixed-race restaurant worker, was the winner of the 2020 Dylan Thomas Prize and won plaudits from everyone from Ann Patchett and Kiley Reid to Barack Obama, who named it one...
All photographs are packed with stories. They surround us, littering our screens and walls with narrative and memory. Time embalmed. But for each of us, some images are packed fuller than others. Alighting upon a particular combination of light and shade, colour and form, a person we love(d), a fleeting delight – our attention is...
