“I woke up this morning and the world already feels safer!” declared a friend on Facebook the day after Joe Biden and Kamala Harris swept to victory in the US election. Hah! Wait till you read Leave the World Behind, I thought, perhaps a little too sceptically, you’ll soon change your tune. If this suggests...
Sybil Oldfield’s The Black Book: The Britons on the Nazi Hitlist is, at first sight, an anthology of lives under terrible threat – a breathless, deeply personal, yet unflinching account of an impressive array of the many biographical journeys, the individual circumstances and diverse fates that earned 2,619 men and women an uncoveted place on...
Edward Carey’s The Swallowed Man follows the adventures of Pinocchio’s creator Geppetto after he is stranded in the belly of a sea beast. As the woodcarver ekes out a frugal existence, living on his memories and imagination, the tale becomes a magical meditation on fatherly love, loss and regret, and the transformative power of creative...
A neuroscientist by trade, Rachel Genn draws from a deep well of jargon to fill her novel What You Could Have Won. The two words that stick in my head for much of the time I’m reading it aren’t too obscure: Toxicity and Tragedy. It’s no wonder: the novel’s main character Astrid spends a good...
The Iraqi poet Nazik al-Mala’ika was one of the most important Arab poets of the twentieth century. A pioneer of free verse poetry, over four decades she transformed the landscape of modern Arabic literature and culture. Revolt Against the Sun, edited, translated and with a comprehensive introduction by Emily Drumsta, presents a selection of al-Mala’ika’s...
In a 2005 Access Hollywood videorecording, bankrupt businessman, soft-core porn film actor, and reality show star Donald Trump can be heard using objectifying and body-chopping language which escalates to airing his views on his expectation that he can sexually assault women. “Oh, nice legs, huh?” Trump says, eyeing a woman. “I did try and f—...
It was the week before Christmas. The place that I worked was closing down; offices shut up, people disbanded. The lunchtime buffet, part Christmas cheer, part farewell, was still going on late into the dark afternoon, but I wanted to see an exhibition at the Wellcome Collection, Bedlam: The Asylum and Beyond. I snuck away...
David Constantine’s eleventh poetry collection, Belongings, is concerned both with our possessions and with what possesses us. The poems ask: Where do you belong? And have in mind also the hostile: You don’t belong here. Go back where you belong. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which...
The past few years have seen the explosive emergence of a highly fetishised and merchandised cult of the home: as a fiercely protected private space of explicitly public (voyeuristic) visibility, as the locus of a redefined, globalised community of purported ecumenical camaraderie, as the shrine of high-design spirituality, and as a new status symbol of...
The saturated colours, surreal architecture and surprising landscapes in the films of Wes Anderson have inspired a phenomenal photographic archive which has gathered well over a million followers on Instagram. Accidentally Wes Anderson, curated by Wally Koval, gathers images from around the world that capture or interpret the filmmaker’s signature aesthetic: an enthralling mixture of...
A proper job! At Waterstones! I’m thirty-one! Now I have a debit card and everything! But only just. On probation, I arrive three hours late after spending a night in a patch of nettles in Cannon Hill Park (Spiritus/Poles). After running a spike a long way into my flip-flopped big toe on the building site...
Teresa was, on the whole, a serious, earnest woman, with a slightly uneasy smile that barely lifted the corners of her mouth. Her black eyes always seemed to be trying to wrest a secret from the person they observed. She had a thick mane of hair with a streak of grey on the right temple....
