"As writers we have a responsibility, sometimes, to make the future seem real.” John Ironmonger
World cinema in the spotlight at LFF 2026

World cinema in the spotlight at LFF 2026

From offbeat French thrillers and Iranian existentialism to edgy Nollywood tales, BFI London Film Festival 2026’s bountiful global movie line-up proves subtitles aren’t a barrier to entertainment. The fate of breakout festival favourites from the last two years could hardly be more different. Gints Zilbalodis’ Flow (2024, Latvia), a mesmerizing,...
BFI London Film Festival 2026 preview

BFI London Film Festival 2026 preview

The 70th edition of the BFI London Film Festival kicks off on Wednesday 7 October with another captivating programme of over 250 features, shorts, series and immersive works from around the world. The Opening and Closing Night Galas each shine fascinating light on the world of theatre. Simon Stone’s lovingly...
Patrick Ryan: Connecting lives

Patrick Ryan: Connecting lives

PATRICK RYAN’S CRITICALLY ACCLAIMED short story collection The Dream Life of Astronauts (2017) marked him out as a writer to watch. His stories brim with rounded often-unforgettable characters living quietly, with yearning, humanity and acceptance. He is a master of dialogue, the unsentimental and the subtle. So when his debut...
Breaking point

Breaking point

ONE DAY THE CHILDREN AND I came home to see Hamad sitting in front of the TV. ‘Why’re you home early?’ Haris asked. ‘To spend time with you,’ Hamad said, patting his lap so Haris could go and sit with him. He only had to look at me in silence...
Latest entries
Juliet West: Back to black

Juliet West: Back to black

Juliet West’s second novel The Faithful is a love story set during Britain’s brief dalliance with fascism in the 1930s, and a tale of two mothers set on distinct paths. I chat to her about the book’s key issues and themes, and how she approached researching and recreating the era. CF: I love the title...
Premontions

Premontions

When I was young, a remarkable woman lived in the village where I grew up. Her name was Frida Andersson. Frida lived alone in a cottage by herself but she had a daughter and a grandchild in the city. Sometimes in summer they would come to visit, but as Frida grew more and more peculiar,...
Samanta Schweblin: Passion and terror

Samanta Schweblin: Passion and terror

Samanta Schweblin is an acclaimed Argentinian short-story writer whose compact debut novel Fever Dream is shortlisted for the 2017 Man Booker International Prize. A disorientating and utterly gripping psychological thriller and an unsettling exploration of family ties, panic and dread, it is told in spare dialogue between a woman called Amanda who lies dying in...
Reality check

Reality check

She registered his shadow, a passing cloud bringing inclement weather. “Clare?” She was not even sure she heard her name, but she watched his mouth form the shape. The stereo was turned up loud, his voice lost in drums and double bass. He ducked his face to hers, kissed her on the forehead, then crossed...
Filthy treasures at Flower Island

Filthy treasures at Flower Island

Bugeye heard indistinct chatter around him in his sleep, but decided to stay curled up and ignore it. “Wake up, honey,” his mother said, pulling the blanket off him. “It’s time to go to work.” She shook Bugeye, who managed to sit up but still had his eyes closed, and then stood him up by...
Bitter chocolate and the laughter of tears

Bitter chocolate and the laughter of tears

If chocolate-coated ‘Teffi’ bonbons tasted nearly as good as Nadezdha Alexandrovna Lokhvitskaya’s own prolifically produced literary confections, they must have tasted perfectly delicious: light on the palate and yet a rich mouthful; intriguingly exotic textures and aftertastes enveloping an unadulterated kernel of pure truth. ‘Teffi’ perfume would have been equally alluring, causing men to melt...
Watching the river flow

Watching the river flow

The creative process is a funny thing, but when I’m in the middle of it I don’t do much laughing. As an idea gestates in my mind, hour upon hour of writing time can flit by with my skull hitting the desk more frequently than my fingertips hit the keyboard. Trying out a new genre...
The house by the woods

The house by the woods

It is a few minutes past one in the morning when the front door slams shut. Anyone remaining in the house – but there is no one – would be able to hear, through the closed door, the footsteps of three people hurrying across the porch and down the stairs. There are voices, too –...
Forever girl

Forever girl

6:54 at night, Tuesday, September 7th The plastic electronic baby won’t stop crying. My Forever Parents said it’s supposed to be like a real baby but it isn’t. I can’t make it happy. Even when I rock it. Even when I change its diaper and give it a bottle. When I say ush, ush, ush...
Howling whispers

Howling whispers

Aeschylus wrote the Oresteia at the age of 67, after a life that had included divine inspiration (he was advised by Dionysus in a dream that writing plays, rather than cultivating vineyards, might perhaps be his true calling), overwhelming and continuous political change in his native Athens, valour in battle during the Persian wars, fighting...
Morrissey built my bookshelf

Morrissey built my bookshelf

I didn’t read a lot as a child and, to a certain extent, I still don’t. Time being the most valuable commodity there is, ideas for my own writing – and the things that inspire me creatively – usually come from other sources; from visual media and, above all, from music. I’m someone who gets...
Immortality

Immortality

The sentence he was writing as he hovered over his keyboard, staring at the screen, pursuing the pulsing vertical of the cursor as it left in its wake a new letter, then word, punctuation, space, till the final full-stop, gave Stephen Osmer such an access of pleasure that he died. He skipped off his seat...