The family of Governor Yegor von Rasimkara, we are told early in Ricarda Huch’s The Last Summer, have only one defect all told: that of “belonging to an era that must pass” – in order to make room for the one impatiently keen to take its place. A generally endearing walrus of a father in...
The Facts of Life is a beautifully drawn, funny and sometimes painful exploration of what it takes to be a woman, and a mother – or not. In 1970s northeast England, best friends Polly and April are sitting up a tree, whispering about periods and swapping their hazy knowledge of the facts of life. They...
Mohsin Hamid’s latest novel Exit West imagines a world in which war refugees and economic migrants have the chance to break for safety by passing through supernatural black doors that serve as wormholes to wealthier countries. It’s a magical conceit that fast-forwards the likely exoduses of the coming decades, and intensifies the human dramas of...
Published last year in the US, and now here in the UK, if you haven’t already heard of Tim Murphy’s novel Christodora, let this be your tip-off. Not least because Paramount TV have bought the rights and they’ve hired Ira Sachs and Mauricio Zacharias – whose film collaborations Keep the Lights On (2012), Love is...
If you want to succeed in art, you need to be constantly scanning the horizon for inspiration. For me, by and large, this comes more in the form of life experience than from direct artistic influence. A bit of happenstance, a string of tiny coincidences in my day-to-day activities, is apt to set my gears...
Laura McVeigh’s debut novel Under the Almond Tree is a vibrant and tender modern fable of a young life blighted by war. Fifteen–year-old Samar is displaced from Taliban-controlled Afghanistan and narrates her story from aboard the Trans-Siberian Express as it trundles east and west between Moscow and Vladivostok. With family and memories in tow, as...
Elena Ferrante is traditional in the most radical, boundary-dissolving ways; conventional with subversive fervour and delicately powerful talent. In Frantumaglia: A Writer’s Journey she proves above all the invincible strength of her authorial translucence, the rock-solid presence of her so-called anonymity, which she invariably corrects as being a determined gesture of absence. The word frantumaglia,...
Guillaume Morin stood at his kitchen window, peering through the falling snow. Across the street, two men in matching brown leather jackets were unloading boxes from a metallic blue Cadillac and lugging them into Suzanne Sillery’s old place. “Stop staring! It’s not proper.” Guillaume looked at his wife. She was seated at the kitchen table,...
As the current two top-ranking films at the US and UK box office testify, adaptations are a reliable route for getting a film out to a receptive audience. The Lego Batman Movie is an adaptation not only of the original DC Comics stories but also a playful take on just about every iteration of the...
“Where do you get your ideas?” Or, to paraphrase, “You look like a pretty normal person to me, so where did all that come from?” It’s the baseline question, the one we’ve all been asked. Often, the questioner is really asking something more specific: “How much of your book is written from life?” or “Did...
‘Swaddling Clothes’ by Yukio Mishima has haunted me ever since I encountered it twenty years ago when I was a literature student at UCLA. It is a fascinating character study of Toshiko, a woman consumed by her fear of inescapable fate – a subject that fascinates me. Over the years, the character of Toshiko has...
Sonja is sitting in a car, and she’s brought her dictionary along. It’s heavy, and sits in the bag on the backseat. She’s halfway through her translation of Gösta Svensson’s latest crime novel, and the quality was already dipping with the previous one. Now’s the time I can afford it, she thought, and so she...
