We’re hiding in the powder room at the St Regis hotel. This is what working in what amounts to a rat’s nest for the past decade has done to us, I think, looking at our reflections in the mirror. Ten years in a piece-of-crap studio in the armpit of Bushwick with full view-and-sound of the...
Shanthi Sekaran’s second novel Lucky Boy is a moving and timely account of motherhood, immigration, infertility, adoption and minority life in contemporary America. It’s an eventful road trip from the Mexican border to Silicon Valley, told with verve and love. Her precious writing time is usually spent among trusted friends. Where are you now? I’m...
Writer-directors Alex Helfrecht and Jörg Tittel have adapted and filmed György Dragomán’s dystopian fantasy The White King, a series of interlinked stories influenced by the author’s childhood in a Hungarian enclave of Romania during the Ceausescu regime. Lorenzo Allchurch stars as 12-year-old Djata, whose father Peter (Ross Partridge) is imprisoned while he and his mother...
She’s been hailed by the New York Times as “one of the wise young women of our generation”; Ben Marcus called her “one of the sharpest and smartest young writers” around, “ambitious, promising, brilliant”; and Vanity Fair described her as a “future superstar”. These are just a handful of the accolades heaped on American author...
Before Greece embraced modernity and its marvels, it was a nation of stark realities and pernickety sprites. Lore and legend held as much validity as did hard facts in the popular imagination, but also in the synthesis of what was no less than a national soul. Sprites, trolls, crones, harridans and ogres, with innumerable names,...
Claire Fuller’s second novel Swimming Lessons tells the story of a missing woman and her adult daughter who, twelve years on, tries to piece together the facts about her mother’s disappearance. She talks to Juliet West, author of Before the Fall, about the book’s genesis and her inspirations in nature. JW: Swimming Lessons is such...
I was ten years old, living in England due to my father’s job transfer, when I first saw an Alfred Hitchcock film. That film was Dial M for Murder, Hitchcock’s 1954 adaptation of Frederick Knott’s stage play. If I were introducing the films of Alfred Hitchcock to a ten-year-old boy, Dial M for Murder would...
With the hindsight of history, with the raw, stinging feeling on the skin of one’s conscience of the viciousness and harrowing desolation that was spawned by Nazi rule and WWII, it may seem that there was for Germany a distinct separation between a brutal, all-obliterating moment of total guilt and a redeeming ‘moment after’ of...
Running for President in 1952, Illinois Governor Adlai Stevenson came up with a peculiar rallying cry. “Eggheads of the world, unite!” he declared in a stump speech. “You have nothing to lose but your yolks!” These days, of course, such a bad pun wouldn’t make it out of a Democratic Party focus group alive, but...
Tim Pears’ spellbinding new novel The Horseman tells the story of a touching, unexpected friendship between a carter’s son and a landowner’s daughter. It’s the first book in a planned trilogy that begins in a remote valley on the Devon–Somerset border in the early years of the twentieth century. He fills us in on his...
The 1970s took their shape from any number of events, tragedies, trivialities, crises, obsessions, conflicts, characters, fashions, inventions, resignations, processes and social and cultural situations. It was a decade of cults, terrorists, protests, scandals, strikes, recessions, environmental panic and a sense of constant crisis. It was also the decade of Bowie. He always had a...
“If you have no wounds, how can you know you are alive?” wrote Edward Albee in 1998’s The Play About the Baby. Steven Uhly’s Kingdom of Twilight could be said to be all about physical, psychological and historical wounds and about the true meaning of knowing oneself to be alive – the true worth of...
