Island stories and other fictions
When Rishi Sunak recently tried shamelessly to turn the Rochdale byelection into a national crisis, warning about extremism tearing us apart, one phrase leapt out at me. Immigrants who integrate, he said, “have helped write the latest chapter of our island story.” Unless my publishers had really upped their game, I knew he wasn’t referring...
Ned Beauman: Intelligent life
Ned Beauman’s Venomous Lumpsucker is a dazzling satire of a near-future Europe in which global warming-led species decline has become accepted as an unfortunate by-product of economic growth. A system of ‘extinction credits’ means that any company set to gain financially from operations that happen to wipe out an endangered species simply has to purchase...
Lara Williams: Lost at sea
Lara Williams’ second novel The Odyssey is a biting satire about a generation cast adrift by the gig economy. Its narrator Ingrid joined the crew of a luxury cruise ship to flee from a failed marriage, and is buffeted between ever-changing roles within a mind-numbing micro-economy which sees her faking it as anything from a...
Tessa McWatt: A place in the world
Tessa McWatt’s The Snow Line throws together four strangers at a wedding in the Indian Himalayan foothills. Twenty-five-year-old Reema is a classical singer born in India but raised as a Londoner, who has travelled without her Scottish boyfriend. Having recently discovered she is pregnant, she is facing a life-shifting decision about her future. Yosh is...
Petra Hůlová: Gender agendas
Multiple award-winning Czech novelist and playwright Petra Hůlová’s Three Plastic Rooms takes the form of a foul-mouthed monologue by an unnamed prostitute in city very like Prague, who holds forth on matters regarding her profession, her punters and society at large. It is her second novel to be translated into English, the original Czech edition...
