The train
The train to Paris, which had been expected at 2:37 p.m., pulled in five minutes behind schedule. Albert Le Prince didn’t see his younger brother, Louis, very often anymore. Louis had moved away from France over twenty years ago – and if that wasn’t enough, lately he had been consumed by his work on a...
Guillermo del Toro: Monster maker
Alongside compatriots Alfonso Cuarón, Alejandro González Iñárritu and Carlos Reygadas, Guillermo del Toro emerged as one of the most visible and distinctive artists in modern Mexican cinema. A major contributor to the critical and commercial renaissance cinema from Mexico enjoyed on an international scale, the universal acclaim generated by Pan’s Labyrinth (2006) (which won a...
Angry young, frail old man
Over two hundred films, mostly blockbusters, made over the past fifty years. Compiling a top ten list for Amitabh Bachchan is by definition an impossible task. It is also a frightening one as even the most considered, academic of lists must exclude beloved films. The films below are not necessarily his most successful, nor are...
Near death – and resurrection
On 25 July 1982, Amitabh Bachchan was injured in Bangalore while shooting for Manmohan Desai’s Coolie (Porter, 1983). The shot required a simulated punch to the star’s abdomen, a fall on a desk, followed by a half-somersault to the other side of the desk. Bachchan refused a body double and shot the sequence himself. The...
A bear in a million
The varying merits of the UK’s early November film releases appear to be in direct proportion to the protagonists’ face-fuzz. Much was made in advance of Kenneth Brannagh’s reimagining of Hercule Poirot’s ‘magnificent moustaches’ in the latest adaptation of Agatha Christie’s Murder on the Orient Express (20th Century Fox, 3 November), but the rest of...
