New happiness
There is a Latvian goddess of happiness, Laima. It was most probably she who instilled the Latvian language with its rhythmical lilt, its roguish plosives and stops, the stark, spare melodiousness of its musicality. It was most probably she who lured generations of Latvians, both ancient and modern, to their native forests and fields –...
Through the valley of shades
In the Dark Room, originally published in 2005, is a meditation on mourning and an excavation of memory. It was also Brian Dillon’s first book, and we might see it as the prelude to his subsequent essays on photography and hypochondria, artists and ruins, essayists and what he calls ‘essayism’. How, Dillon asks, does memory...
The end of the world that never came
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
Outside in
My author bio used to say that I was a graduate of Stanford Law School, a former clerk for the Ninth Circuit Court of Appeals, and a professor of law at the Maurice A. Deane Law School at Hofstra University. While this is all true, I’ve changed it now to focus on my life as...
Blossoming on
Originally published in 1968, My Sweet Orange Tree is a Brazilian classic and one of the country’s bestselling novels of all time, adopted by schools and adapted for cinema, television and the stage. It has also been translated into nineteen languages and continues to be very popular in countries all over the world today. It...
When time disappeared
A resolute, yet equable slim volume, full of old-world poise, brimming with humanity, added itself in September 1945 to the list of J.-H. Jeheber Librairie et Éditions in Geneva. The title of Françoise Frenkel’s No Place to Lay One’s Head would appear to be affably in tune with its publisher’s ethos and history: the allusion...
Near death – and resurrection
On 25 July 1982, Amitabh Bachchan was injured in Bangalore while shooting for Manmohan Desai’s Coolie (Porter, 1983). The shot required a simulated punch to the star’s abdomen, a fall on a desk, followed by a half-somersault to the other side of the desk. Bachchan refused a body double and shot the sequence himself. The...
All, nothing and everything in between
As people travelled across Europe in the late 16th century, fleeing the Spanish Inquisition, a word travelled with them – nada; a nothingness of prospects, a future where nothing remained and everything was lost, a universe where the centre of faith was being fiercely usurped by the massive, ponderous vacuum of doubt and agnosticism, of...




