On Silence
How do you tell the story of Christian faith? The difficulty, the crisis, of believing? How do you describe the struggle? There have been many great twentieth-century novelists drawn to the subject – Graham Greene, of course, and François Mauriac, Georges Bernanos and, from his own very particular perspective, Shusaku Endo. When I use the...
Electoral collage
There is a form of mass hysteria sweeping the American populace at this moment. It’s something a bit like the Rage Virus, although those infected mostly stop short of physical violence and settle for just calling each other names and then blocking each other on Facebook. Watching it from across the Atlantic, I’d be terrified...
Dreamland
No Picnic on Mount Kenya is neither a war memoir nor the travel log of an exotic mountaineering expedition; neither history pure and unimpeachable, nor a novel where the imagination is given free reign; it is neither biography nor documentary. It is, and explosively, all of the above – a grippingly beguiling tale as well...
Read the world
“There is only one way to read, which is to browse in libraries and bookshops,” wrote Doris Lessing in the introduction to The Golden Notebook (1962). That post-modernist novel famously pieces a life back together through multiple, juxtaposed experiences in and outside time and consciousness, through and because of writing, as it seeks to create...
Very like a whaler
Among the great books of the sea, Herman Melville’s Moby-Dick; or, The Whale of 1851, has few peers. Around the simple narrative of Captain Ahab’s obsessive pursuit of the great white whale that had taken his leg, the whale’s deliberate destruction of his ship, and the loss of all but one member of the crew,...
Searching for angels
Landing by Laia Fàbregas is a rare find – a narrative of worlds lost and found, of words that are vital and impossible to translate, of human communion, and communication that must be retrieved in its utmost simplicity from the plexus of relentless alienation and multi-layered facelessness that characterises the aftermath of our post-modernity. Above...
Unfinished business
There is a singular sense of feverish neutrality in Thanassis Valtinos’ writing. A cinematic poise, a travelling eye, a dramatist’s instinctive flair for tension, voice, climax, the lull that contains more menace than any thundering explosion; a perpetual game of darkness and light, an omniscient narrator who never divulges all he knows. Valtinos was born...
Thirteen ways of looking at Guernica
In the 1930s, the Spanish Reds are promising paraisos to their new recruits. A world freed from class distinctions, slave labour, poverty and squalor, and especially a world liberated from religion – that celebrated ‘opium of the people’. At the same time, those sceptical of Soviet ideology, or vehemently opposed to it, seek to deflect...