"To write anything worth reading you have to put everything you have into every sentence. There can be no lazy thinking, no clichés, no borrowed tropes, no third-hand experience; there can be no hiding.” Miranda Darling
Posts tagged "Contexts"
On Silence

On Silence

How do you tell the story of Christian faith? The difficulty, the crisis, of believing? How do you describe the struggle? There have been many great twentieth-century novelists drawn to the subject – Graham Greene, of course, and François Mauriac, Georges Bernanos and, from his own very particular perspective, Shusaku Endo. When I use the...
Reclaiming both past and future

Reclaiming both past and future

Nach Auschwitz ein Gedicht zu schreiben ist barbarisch – it is barbaric to write verses after Auschwitz – is Theodor Adorno’s famous, massively quoted and frequently misunderstood 1951 declaration about the state, the potential and the responsibility of a life of the mind, of the voice of any spirit and intellect, after what Joseph Roth...
Forever Neverland

Forever Neverland

Sally Cookson’s Peter Pan at the National Theatre is an exuberant steampunk pyjama party, exploring grown-up themes of abandonment, jeopardy, loneliness and despair. Cookson thrusts Wendy Darling (Madeleine Worral) centre-stage, as her story arcs from wonder to understanding and impending adulthood, while Paul Hilton’s petulant Peter, in his outgrown green suit and arrested adolescence, remains...
Electoral collage

Electoral collage

There is a form of mass hysteria sweeping the American populace at this moment. It’s something a bit like the Rage Virus, although those infected mostly stop short of physical violence and settle for just calling each other names and then blocking each other on Facebook. Watching it from across the Atlantic, I’d be terrified...
Dreamland

Dreamland

No Picnic on Mount Kenya is neither a war memoir nor the travel log of an exotic mountaineering expedition; neither history pure and unimpeachable, nor a novel where the imagination is given free reign; it is neither biography nor documentary. It is, and explosively, all of the above – a grippingly beguiling tale as well...
Read the world

Read the world

“There is only one way to read, which is to browse in libraries and bookshops,” wrote Doris Lessing in the introduction to The Golden Notebook (1962). That post-modernist novel famously pieces a life back together through multiple, juxtaposed experiences in and outside time and consciousness, through and because of writing, as it seeks to create...
Very like a whaler

Very like a whaler

Among the great books of the sea, Herman Melville’s Moby-Dick; or, The Whale of 1851, has few peers. Around the simple narrative of Captain Ahab’s obsessive pursuit of the great white whale that had taken his leg, the whale’s deliberate destruction of his ship, and the loss of all but one member of the crew,...
Apocalypse never

Apocalypse never

In his Brief Theory of Travel and the Desert, skilfully translated with grit and brio by Jacqueline Minett, Cristian Crusat orchestrates a syncopated arrangement of six stories suspended in time and space, relating the experience of being and non-being through stunted snapshots from the lives of disparate, seemingly ordinary and inconsequential characters. Their insignificance, we...
Searching for angels

Searching for angels

Landing by Laia Fàbregas is a rare find – a narrative of worlds lost and found, of words that are vital and impossible to translate, of human communion, and communication that must be retrieved in its utmost simplicity from the plexus of relentless alienation and multi-layered facelessness that characterises the aftermath of our post-modernity. Above...
The day of reckoning

The day of reckoning

US District Court, Tampa, Florida March 26, 1990 Armed guards led me into a tiny, windowless room in Tampa’s US District Courthouse. Through the glossy mahogany walls came the muffled voices of lawyers arguing and the response of an unruly crowd. On the other side of the door, I was about to do battle with...
Unfinished business

Unfinished business

There is a singular sense of feverish neutrality in Thanassis Valtinos’ writing. A cinematic poise, a travelling eye, a dramatist’s instinctive flair for tension, voice, climax, the lull that contains more menace than any thundering explosion; a perpetual game of darkness and light, an omniscient narrator who never divulges all he knows. Valtinos was born...
Thirteen ways of looking at Guernica

Thirteen ways of looking at Guernica

In the 1930s, the Spanish Reds are promising paraisos to their new recruits. A world freed from class distinctions, slave labour, poverty and squalor, and especially a world liberated from religion – that celebrated ‘opium of the people’. At the same time, those sceptical of Soviet ideology, or vehemently opposed to it, seek to deflect...