Great expectations untold
In 1949 an Australian man is travelling around Europe – a Europe that has only recently emerged from the cataclysmic shock of WWII, and still very much bears the marks of unhealed, perhaps unhealable searing wounds. This man, Denison Deasey, carries with him an aura of mystery and of multiform tragedy, of fate eluded and...
The land where Saturn reigned
“Each man is in his Spectre’s power” – these are words by William Blake that Marcello Fois deliberately places as the inscription over the gates of heaven or hell that was Sardinia as a private space of memory and genealogy, and as a very public constituent part of Italian society and history, a microcosm to...
Illustrations for a life unlived
“When I was twelve, other people thought I was a prodigy who dazzled and disturbed… by the time I was twenty, I’d learned to deride the facility of my hands as if it were a weakness.” Daniele Mallarico, who speaks these words, is a renegade Neapolitan, an old man on the edge of the precipice...
Piercing prisms and Persian perspectives
“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
Négar Djavadi: Neither here nor there
French-Iranian screenwriter Négar Djavadi’s illuminating, richly entertaining debut novel Disoriental combines a sweeping family history in 20th-century Iran with an intimate study of identity and motherhood in contemporary Paris. Kimiâ Sadr is a lesbian punk rocker who spent her teenage years in the French capital after the family fled the trauma of Iran’s 1979 Islamic...
New happiness
There is a Latvian goddess of happiness, Laima. It was most probably she who instilled the Latvian language with its rhythmical lilt, its roguish plosives and stops, the stark, spare melodiousness of its musicality. It was most probably she who lured generations of Latvians, both ancient and modern, to their native forests and fields –...
Magic in the mists
Land of Smoke is the first English translation, by Jessica Sequeira, of a work by my mother, the recently rediscovered Argentinian writer Sara Gallardo. A story collection originally published in 1977, it is a haunting cornucopia of the strangest fare Southern South America can possibly offer: Andean Sasquatches breeding hybrids with Basque deserters, a stubborn...
An absence full of presence
What You Did Not Tell: A Russian Past and the Journey Home by Mark Mazower is an eloquently written rhapsody on the art of remembering. It is rhapsodic both in the primary sense of the word, in that it is a chronicle exuding a certain air of poetry and exalted, almost epic feeling, and in...
The first bride
They went crazy for weddings after the war. All weekend long, the shooting of impotent bullets into the air, the aggravating honking of horns and the incessant drone of the traditional Albanian music. As if they were so glad to be alive that they wanted everyone from Podujevo to Pristina to Tirana to know about...
Message in two suitcases
There is an old Urdu/Hindi word that would suit well this explosively funny, irresistible, and profoundly tragic human comedy: lifafa/lifaafaa, a term that can mean a bag, an envelope, a wrapper or a cover, anything frail, or an outward show. Mama Tandoori is all of these and indeed much more, a surging personal narrative and...
Cretan love song
Imagine you’re part of the Minoan civilization, just hanging out with your effete painted face down by the water’s edge on the north shore of Crete, circa 1600 BC. Biting flies knit the breeze around your head. Wavelets slap discreetly ashore. When the volcanic island of Thera detonates seventy miles to the north, the concussion,...
Samanta Schweblin: Passion and terror
Samanta Schweblin is an acclaimed Argentinian short-story writer whose compact debut novel Fever Dream is shortlisted for the 2017 Man Booker International Prize. A disorientating and utterly gripping psychological thriller and an unsettling exploration of family ties, panic and dread, it is told in spare dialogue between a woman called Amanda who lies dying in...
