On finding your voice
When I first started actively pursuing a writing career, I had a pretty good idea of what I was going to write: spare and beautiful books set in rural Ireland, miniature domestic tragedies with universal truths at their heart. Possibly there’d be a PWDP (Priest With Dark Past), or a WRAUA (Woman Returning After Unexplained...
Fatima Bhutto: Culture shifts
In New Kings of the World, with customary wit and insight, Fatima Bhutto investigates how Bollywood, Turkish soap operas and K-pop are leading an emerging cultural movement that represents the biggest challenge to America’s monopoly on soft power since the end of the Second World War. The film below touches on some of the main...
Etgar Keret: Something weird
Fly Already, Etgar Keret’s first story collection for seven years, hits a familiarly outlandish and infectious groove. The title story relates a potential suicide jump as witnessed by a young boy whose innocent, excited observations to his father are set against a backdrop of grief, guilt, recovery and misunderstanding. It typifies the offbeat humour, childlike...
Joe Buck!
In his new boots, Joe Buck was six-foot-one and life was different. As he walked out of that store in Houston something snapped in the whole bottom half of him: A kind of power he never even knew was there had been released in his pelvis and he was able to feel the world through...
Once Upon a Time in the West
Sergio Leone’s Once Upon a Time in the West set out to be the ultimate Western – a celebration of the power of classic Hollywood cinema, a meditation on the making of America, and a lament for the decline of one of the most cherished film genres in the form of a “dance of death”....
Nilton Resende: Good and evil
A native of Maceió, Alagoas, in Brazil’s northeast, Nilton Resende has made a name for himself in multiple artistic fields. He’s an adjunct professor of literature at the state university; co-founded the Ganymedes theatre company, for which he adapted, co-directed, and starred in Thomas Mann’s Mario and the Magician; and has worked as a film...
An alternate story
It turns out Chiara is a member of a group of Hollywood types who gather every few years or so in the Catskills. In a woodsy agricultural setting, Chiara’s group plays parlor games and captures ghosts in séances and commands lunar apogees and exhibits all sorts of megalomaniac tendencies, in small and unreported doses, usually...
A bear in a million
The varying merits of the UK’s early November film releases appear to be in direct proportion to the protagonists’ face-fuzz. Much was made in advance of Kenneth Brannagh’s reimagining of Hercule Poirot’s ‘magnificent moustaches’ in the latest adaptation of Agatha Christie’s Murder on the Orient Express (20th Century Fox, 3 November), but the rest of...
The first killings
Who now remembers the story of the Limehouse Golem, or cares to be reminded of the history of that mythical creature? ‘Golem’ is the medieval Jewish word for an artificial being, created by the magician or the rabbi; it literally means ‘thing without form’, and perhaps sprang from the same fears which surrounded the fifteenth-century...
Samanta Schweblin: Passion and terror
Samanta Schweblin is an acclaimed Argentinian short-story writer whose compact debut novel Fever Dream is shortlisted for the 2017 Man Booker International Prize. A disorientating and utterly gripping psychological thriller and an unsettling exploration of family ties, panic and dread, it is told in spare dialogue between a woman called Amanda who lies dying in...
Reality check
She registered his shadow, a passing cloud bringing inclement weather. “Clare?” She was not even sure she heard her name, but she watched his mouth form the shape. The stereo was turned up loud, his voice lost in drums and double bass. He ducked his face to hers, kissed her on the forehead, then crossed...
Welcome to dystopia
Writer-directors Alex Helfrecht and Jörg Tittel have adapted and filmed György Dragomán’s dystopian fantasy The White King, a series of interlinked stories influenced by the author’s childhood in a Hungarian enclave of Romania during the Ceausescu regime. Lorenzo Allchurch stars as 12-year-old Djata, whose father Peter (Ross Partridge) is imprisoned while he and his mother...
