Kate Murray-Browne: Buyer beware!
Kate Murray-Browne’s brilliantly suspenseful first novel The Upstairs Room has been described as a ‘property horror story’. Eleanor and Richard, an editor and lawyer respectively, move into a large four-bedroom house in East London with their two small daughters. The house is at the upper limit of what they can afford and Eleanor feels uneasy...
Olivia Sudjic: Between dreams
Olivia Sudjic’s debut novel Sympathy is a dazzling examination of the morals and customs of our gadget-led lives, a sharp and slippery tale of unreliable identities and assumed connections. It’s narrated by 23-year-old Alice Hare, an unhinged Englishwoman in New York who becomes obsessed with the online presence of 32-year-old Mizuko Himura, a Japanese teacher...
Hari Kunzru: Between the grooves
It’s Hari Kunzru’s first press trip to London for a few years, this time to discuss his fifth novel, White Tears. It’s that rare beast: a novel of ideas that is also a transfixing thriller. The morning after he arrives from New York, we meet in a room just off the lobby of his hotel...
Juliet West: Back to black
Juliet West’s second novel The Faithful is a love story set during Britain’s brief dalliance with fascism in the 1930s, and a tale of two mothers set on distinct paths. I chat to her about the book’s key issues and themes, and how she approached researching and recreating the era. CF: I love the title...
Bret Anthony Johnston: Tricks at the top
Bret Anthony Johnston has won the Sunday Times EFG Short Story Award with his story ‘Half of What Atlee Rouse Knows About Horses’, a touching meditation on memory and loss that weaves together significant moments from the life of an 80-year-old Texan through the prism of the three great loves of his life: his wife,...
Mohsin Hamid: Moving on
Mohsin Hamid’s latest novel Exit West imagines a world in which war refugees and economic migrants have the chance to break for safety by passing through supernatural black doors that serve as wormholes to wealthier countries. It’s a magical conceit that fast-forwards the likely exoduses of the coming decades, and intensifies the human dramas of...
Tim Murphy: Shouting out
Published last year in the US, and now here in the UK, if you haven’t already heard of Tim Murphy’s novel Christodora, let this be your tip-off. Not least because Paramount TV have bought the rights and they’ve hired Ira Sachs and Mauricio Zacharias – whose film collaborations Keep the Lights On (2012), Love is...
Laura McVeigh: Journeys of the mind
Laura McVeigh’s debut novel Under the Almond Tree is a vibrant and tender modern fable of a young life blighted by war. Fifteen–year-old Samar is displaced from Taliban-controlled Afghanistan and narrates her story from aboard the Trans-Siberian Express as it trundles east and west between Moscow and Vladivostok. With family and memories in tow, as...
Steven Uhly: A life of encounters
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
Chris Cleave: Across the divide
Chris Cleave’s latest novel, Everyone Brave Is Forgiven, is a London-set examination of the real impact of the Second World War, centring on an 18-year-old schoolteacher called Mary North. Cleave and I have tea one afternoon in Piccadilly to discuss it. There’s a reason why we’re drinking tea and not, say, vermouth. Cleave doesn’t drink....