Angry young, frail old man
Over two hundred films, mostly blockbusters, made over the past fifty years. Compiling a top ten list for Amitabh Bachchan is by definition an impossible task. It is also a frightening one as even the most considered, academic of lists must exclude beloved films. The films below are not necessarily his most successful, nor are...
Near death – and resurrection
On 25 July 1982, Amitabh Bachchan was injured in Bangalore while shooting for Manmohan Desai’s Coolie (Porter, 1983). The shot required a simulated punch to the star’s abdomen, a fall on a desk, followed by a half-somersault to the other side of the desk. Bachchan refused a body double and shot the sequence himself. The...
A bear in a million
The varying merits of the UK’s early November film releases appear to be in direct proportion to the protagonists’ face-fuzz. Much was made in advance of Kenneth Brannagh’s reimagining of Hercule Poirot’s ‘magnificent moustaches’ in the latest adaptation of Agatha Christie’s Murder on the Orient Express (20th Century Fox, 3 November), but the rest of...
Laughter in the dark
One of the memories I most treasure about In the Loop, writer-director Armando Iannucci’s previous big-screen outing, is the moment when Alastair Campbell sat down to view the film with critic Mark Kermode. As Tony Blair’s ex-spin-doctor, Campbell was understandably tetchy at being compared to onscreen fixer Malcolm Tucker, a profane and conniving bully. “I...
Reality check
She registered his shadow, a passing cloud bringing inclement weather. “Clare?” She was not even sure she heard her name, but she watched his mouth form the shape. The stereo was turned up loud, his voice lost in drums and double bass. He ducked his face to hers, kissed her on the forehead, then crossed...
Civil rights and wrongs
When James Baldwin died in 1987, he left behind 30 pages of letters titled Notes Toward Remember This House, an unfinished manuscript about the lives and deaths of three of his friends – Medgar Evers, Malcolm X and Martin Luther King, Jr. – civil rights activists, all of whom were assassinated in the space of...
A positive betrayal
“On one hand it’s a psychological thriller, so people read it fairly quickly. On the other hand, it’s a novel that withholds things from you,” says Julian Barnes of his Man Booker Prize-winning The Sense of an Ending. In the thoughtfully crafted new film version, that withholding remains vital to the slow-burn reveal, but a...
Poets, pedants and survivors
Masterful reworkings of Julian Barnes’ The Sense of an Ending, Maylis de Kerangal’s Mend the Living, and Sarah Waters’ Fingersmith transposed to Korea head another bright batch of literary adaptations and biopics opening in UK cinemas in April. Here’s a selection to keep you dazzled in the dark at your favourite film venues for weeks...
Heart and darkness
As the current two top-ranking films at the US and UK box office testify, adaptations are a reliable route for getting a film out to a receptive audience. The Lego Batman Movie is an adaptation not only of the original DC Comics stories but also a playful take on just about every iteration of the...
Welcome to dystopia
Writer-directors Alex Helfrecht and Jörg Tittel have adapted and filmed György Dragomán’s dystopian fantasy The White King, a series of interlinked stories influenced by the author’s childhood in a Hungarian enclave of Romania during the Ceausescu regime. Lorenzo Allchurch stars as 12-year-old Djata, whose father Peter (Ross Partridge) is imprisoned while he and his mother...
Faith, grief and passion
As 2017 kicks off with two stunning but radically different novel-inspired blockbusters in the shape of Silence and A Monster Calls (with Liam Neeson looming large in both), we launch a regular round-up of unmissable literary adaptations and biopics coming soon to UK cinemas. Here are our picks for January. Silence Martin Scorsese’s epic adaptation...
On Silence
How do you tell the story of Christian faith? The difficulty, the crisis, of believing? How do you describe the struggle? There have been many great twentieth-century novelists drawn to the subject – Graham Greene, of course, and François Mauriac, Georges Bernanos and, from his own very particular perspective, Shusaku Endo. When I use the...
