"Grief feels like love. Sometimes you press on that tender spot, because it’s as close as you can get to the person who is otherwise gone.” – Kate Brody
Posts tagged "theatre"
An unfailing life

An unfailing life

The disjunction between mundanity, imaginary parallel lives, present reality and past fantasy, mental fragmentation and the undeniable plenitude and promise of a ‘what if’ life create a grippingly fragile harmony, channelled by a particularly redolent choreography that always treads on the verge of a tremendous crisis. The sensual Woolf, the shrewd observer and creator, the...
Forever Neverland

Forever Neverland

Sally Cookson’s Peter Pan at the National Theatre is an exuberant steampunk pyjama party, exploring grown-up themes of abandonment, jeopardy, loneliness and despair. Cookson thrusts Wendy Darling (Madeleine Worral) centre-stage, as her story arcs from wonder to understanding and impending adulthood, while Paul Hilton’s petulant Peter, in his outgrown green suit and arrested adolescence, remains...
A night in the barn

A night in the barn

The Red Barn ran at the National Theatre from 6 October 2016 to 17 January 2017. More info.
In praise of evanescence

In praise of evanescence

A sense of bemused confusion and intrigued curiosity is the audience’s first impression of David Zinn’s set for Annie Baker’s The Flick, currently at the National Theatre following a strong and successful season in New York, where it won the Pulitzer Prize for Drama. There are seats on either side of the space that ought...
About a girl

About a girl

Annie Ryan’s acclaimed stage adaptation of Eimear McBride’s 2014 Baileys Prize winning novel A Girl is a Half-formed Thing has begun its sold-out run at the Young Vic. The 80-minute multi-voiced monologue performed by Aoife Duffin reveals the thoughts and experiences of a physically and psychologically damaged young woman. It’s a triumphant and devastatingly intimate...
A small wonder

A small wonder

They say that good things come in small packages, and W11 Opera’s current production of Eliza and the Swans, a sparkling retelling of Hans Christian Andersen’s The Wild Swans, is certainly a glorious thing on the small stage of the POSK Theatre in Hammersmith, which for two nights transforms into the great world of fairy...
Not a girl, alas

Not a girl, alas

Our times are times of tremendous change, maturation and unique creative vibrancy for the theatre. Productions have multidimensionality, a plurality of voices and of centres of balance which enthrals us, inspires us, truly lures us to share in the dramatic experience, be more and more an integral, engaged part of a stage that is no...
Opening night at Shakespeare’s Globe

Opening night at Shakespeare’s Globe

The Time Travel Handbook offers eighteen exceptional trips to the past, transporting you back to the greatest spectacles in history. You can join Henry VIII at the Field of the Cloth of Gold; march on Versailles with the revolutionary women of Paris; sail with Captain Cook to Tahiti and Australia; hang out at Xanadu with...
Abi Morgan gets our vote

Abi Morgan gets our vote

There also seems to have been something about the wider context of the here and now that encouraged their work. “What was exciting for us all was that there was a growing momentum around the film when we started working on it, which ran parallel with global awareness and growing social activism highlighting the huge...
A fruitful distillation of old and new

A fruitful distillation of old and new

Patrick Marber’s Three Days in the Country at the National Theatre. “A ripe-soft pear” was Gustave Flaubert’s term of affection for his good friend Ivan Turgenev. Taken out of context, the term is hardly a compliment. Une poire molle is someone who lacks character, conviction, mettle; yet Flaubert must have meant something very different. According...
Making friends with Alice

Making friends with Alice

The children’s production of Alice in Wonderland at The Vaults Waterloo was Wonder-landiful. I loved every single second of it even though bits of it was scary, including the cheshire cat who had big green eyes. I loved it when you sit on the floor and look up at the cieling, it really felt like you falling!...
The world's pendulum is Antigone's heart

The world’s pendulum is Antigone’s heart

Ivo van Hove’s production of Antigone at the Barbican reminds us of what theatre is all about. Why tragedy and the Greeks are still crucial to our understanding of our humanity and inhumanity, why they still present us with a timeless meaning, an ethics of eternity. Ivo van Hove has given us a haunting, eerie...