Riddled words, puzzled lives
There is something deliciously provocative about a work of literary fiction that begins with the statement “If it sounds like writing, rewrite it”. It is a pronouncement that holds the reader in irresistible tension: will this prove to be the most flawless of narratives or be exposed instead as the most bombastic of bathetic ironies?...
Step by step
Hannah Vincent’s The Weaning is a gripping suspense novel about a psychotic childminder who finds herself the perfect job. But as Bobbi seeks to fill the baby-shaped hole in her life, events spiral out of control. Hannah worked as a childminder while she was writing the novel, and here are her tips for writing from...
The world that watches
Each of us, to a greater or lesser extent, with varying degrees of enchantment or epic promise, is both a myth and a dry ledger of facts; a fantastical spectrum of stories, our own and those in the minds of others, as well as a hard surface of all or the little that there is....
Picking a subject
If anyone asked I said I wanted to be a writer, and I imagined and intended that this should be another word for novelist. But the stories of the glamorous dead, biography and narrative history, were as often as not what I read for pleasure. Not long before the turn of the century, my mother...
An absence full of presence
What You Did Not Tell: A Russian Past and the Journey Home by Mark Mazower is an eloquently written rhapsody on the art of remembering. It is rhapsodic both in the primary sense of the word, in that it is a chronicle exuding a certain air of poetry and exalted, almost epic feeling, and in...
Us and them
A year after my first novel Madame Mephisto, about a Polish drug dealer in London, was published in 2012, I was approached by The New York Times to write a piece in response to then Prime Minister David Cameron’s sharp rhetoric on immigration, which singled out Poland. Little did I know a few years later...






