A time for reading
It is the middle of the afternoon on a Sunday in March. She has just woken up from a nap. The snow is no longer falling but its brightness is still being projected onto the ceiling of their apartment. It is rather lovely. The cat is watching her from a pouffe opposite the sofa with...
A dreadful fascination
The true tales of murder that feature in Great and Horrible News cover a period of some 200 years, from approximately 1500 to 1700. It was a time that encompassed the rise and fall of the Houses of the Tudors and the Stuarts, the English Civil War, the Protectorate, the Restoration and the Glorious Revolution. England split...
Far more darkness than the eye can fathom
Take your seat – preferably, if you can, in the centre stalls, for a commanding, birds-eye panoramic view of the spectacular stage that Es Devlin has created for Sam Mendes’ National Theatre production of The Lehman Trilogy, currently at the Gillian Lynne Theatre in London. As the lights switch on, you will find yourself in an existential space-time warp:...
Kate Simants: Extreme reality
Reality TV is dead! Long live reality TV! And so it goes. Just when we think audiences have had enough, and production companies are scraping the barrel for ideas, along comes another surprise that grips the nation. This winter, it was The Traitors that got the whole nation talking – and not just about how Claudia Winkelman...
Translators Aloud: Charlotte Coombe and Tina Kover
In May 2020, in the early months of the first Covid-19 lockdown, Tina Kover posted on Twitter that she was considering uploading a video of herself reading from one of her translations but wasn’t sure if anyone would be interested in watching such a thing. Amid a flurry of replies, fellow translator Charlie Coombe suggested...
Murder, mystery and mind games
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
A laughing boy and music from a cracked kettle
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...
Becoming a writer
My twentieth novel, Reservoir, is a psychological thriller about memory, secrets and shame. My central character Hannah has reinvented herself in order to escape her past. Like me, she has moved from a working-class background into a profession that is traditionally middle class – in her case it is psychotherapy rather than writing. At a recent...
“An unspeakable hell” – subversive spaces in literature
This is a collection of uncanny places, of nasty, squirming, blackened spaces. In the traditional haunted house, we place the blame for fear or hysteria or death squarely on the draped and ethereal shoulders of a ghost. They pass through walls and shriek in the bathrooms and lurk beneath the beds, causing all sorts of...