The Iraqi poet Nazik al-Mala’ika was one of the most important Arab poets of the twentieth century. A pioneer of free verse poetry, over four decades she transformed the landscape of modern Arabic literature and culture. Revolt Against the Sun, edited, translated and with a comprehensive introduction by Emily Drumsta, presents a selection of al-Mala’ika’s...
In a 2005 Access Hollywood videorecording, bankrupt businessman, soft-core porn film actor, and reality show star Donald Trump can be heard using objectifying and body-chopping language which escalates to airing his views on his expectation that he can sexually assault women. “Oh, nice legs, huh?” Trump says, eyeing a woman. “I did try and f—...
It was the week before Christmas. The place that I worked was closing down; offices shut up, people disbanded. The lunchtime buffet, part Christmas cheer, part farewell, was still going on late into the dark afternoon, but I wanted to see an exhibition at the Wellcome Collection, Bedlam: The Asylum and Beyond. I snuck away...
David Constantine’s eleventh poetry collection, Belongings, is concerned both with our possessions and with what possesses us. The poems ask: Where do you belong? And have in mind also the hostile: You don’t belong here. Go back where you belong. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which...
The past few years have seen the explosive emergence of a highly fetishised and merchandised cult of the home: as a fiercely protected private space of explicitly public (voyeuristic) visibility, as the locus of a redefined, globalised community of purported ecumenical camaraderie, as the shrine of high-design spirituality, and as a new status symbol of...
The saturated colours, surreal architecture and surprising landscapes in the films of Wes Anderson have inspired a phenomenal photographic archive which has gathered well over a million followers on Instagram. Accidentally Wes Anderson, curated by Wally Koval, gathers images from around the world that capture or interpret the filmmaker’s signature aesthetic: an enthralling mixture of...
A proper job! At Waterstones! I’m thirty-one! Now I have a debit card and everything! But only just. On probation, I arrive three hours late after spending a night in a patch of nettles in Cannon Hill Park (Spiritus/Poles). After running a spike a long way into my flip-flopped big toe on the building site...
Teresa was, on the whole, a serious, earnest woman, with a slightly uneasy smile that barely lifted the corners of her mouth. Her black eyes always seemed to be trying to wrest a secret from the person they observed. She had a thick mane of hair with a streak of grey on the right temple....
It takes him a few seconds to recognize her. And even then, he isn’t sure she recognizes him. Whether she recognized him earlier from his name or only when he came into the room. Or maybe she’s embarrassed. You can’t tell anything from looking at her. She doesn’t blush. Doesn’t stammer. She continues asking him...
In swinging Britain in the summer of 1968, three characters are leading troubled lives. Sexually conflicted producer Talbot Kydd is overseeing an archly arthouse movie in Brighton while sneaking away from his wife to a secret London flat and pondering a possible future with a scaffolder named Gary; his star, American actress Anny Viklund, is...
A chorus from Swinburne’s 1865 play Atalanta in Calydon was once an almost self-standing poetic topos, the expression perhaps of a particular moment in the progression of the human psyche – or of the temporal course of eternity, to fiddle with T.S. Eliot’s famous take on the pastness of the past and its presence. Before...
Staying Human is the latest addition to Bloodaxe Books’ Staying Alive series of world poetry anthologies, offering a broad, international selection of 500 more ‘real poems for unreal times’. The range of poetry complements that of the first three anthologies: hundreds of thoughtful and powerful poems about living in the modern world; poems that touch the heart, stir the...
