“If you have no wounds, how can you know you are alive?” wrote Edward Albee in 1998’s The Play About the Baby. Steven Uhly’s Kingdom of Twilight could be said to be all about physical, psychological and historical wounds and about the true meaning of knowing oneself to be alive – the true worth of...
Chibundu Onuzo’s vibrant second novel Welcome to Lagos – following 2012’s acclaimed The Spider King’s Daughter – is the story of an unlikely band of runaways thrown together as they escape civil unrest in the Niger Delta to start a new life in Nigeria’s chaotic and sprawling megacity. Army officer Chike and loyal foot soldier...
As 2017 kicks off with two stunning but radically different novel-inspired blockbusters in the shape of Silence and A Monster Calls (with Liam Neeson looming large in both), we launch a regular round-up of unmissable literary adaptations and biopics coming soon to UK cinemas. Here are our picks for January. Silence Martin Scorsese’s epic adaptation...
How do you tell the story of Christian faith? The difficulty, the crisis, of believing? How do you describe the struggle? There have been many great twentieth-century novelists drawn to the subject – Graham Greene, of course, and François Mauriac, Georges Bernanos and, from his own very particular perspective, Shusaku Endo. When I use the...
If art’s mission is to change public perceptions or to transcend established practices, it can no longer be apolitical, unaware of social or economic currents. The creators of an exhibit that examines the “cultural afterlife” of taxidermised polar bears, nanoq: flat out and bluesome, by Bryndís Snæbjörnsdóttir and Mark Wilson, sum up a rather recent...
Book browsing in a bookshop is as much an art as it is a way of life. Here is my trawl through some rather beautiful children’s books, with delighted thanks to Hatchards and Waterstones Piccadilly, for being not only shops but especially worlds of books, with wonderfully rich departments dedicated specifically to children. Seasonal...
“You’ve come a long way, baby!” Such was the tagline of a US ad campaign launched in 1968 to sell Virginia Slims cigarettes. Images of women portrayed as hip, mod, and independent (all with cigarette in hand), were paired with historical depictions of drudgery and repression. Clearly, Madison Avenue wanted American women to believe they’d...
On rereading Pushkin’s fictional fragment ‘The guests were arriving at the dacha’ for about the seventh time in 1873, Leo Tolstoy found himself transported and inspired. “Despite myself,” he noted, “not knowing where or what it would lead to, I imagined characters and events, which I developed, then naturally modified, and suddenly it all came...
The hardback edition of James Swallow’s latest novel Nomad was a Sunday Times bestseller last summer. It’s a gripping spy thriller for the post-WikiLeaks world, in which private military contractors, agile terror cells and corporations wield as much power as national intelligence agencies. On the release of the paperback, he shares some words of advice...
Looking back on an eye-opening year in literature and politics, I winnow down my favourite books of 2016 and pick out some of the spring 2017 titles that have so far caught my eye. It’s a captivating mix of reliable favourites, new voices, and authors striking out on a new path. MY 2016 TOP...
Nach Auschwitz ein Gedicht zu schreiben ist barbarisch – it is barbaric to write verses after Auschwitz – is Theodor Adorno’s famous, massively quoted and frequently misunderstood 1951 declaration about the state, the potential and the responsibility of a life of the mind, of the voice of any spirit and intellect, after what Joseph Roth...
“Who in all the world goes to Berlin voluntarily?” wrote Joseph Roth in The Wandering Jews in 1926–27. For him, as for so many others who were acutely attuned to the particular dissonances of a global order in turmoil, Berlin represented the metaphorical and real space of a harrowing existential predicament: the new paradigm for...
