I’ve always been drawn to wild, lonely places. It might have something to do with the summer holidays I had as a child – never a hotel in Benidorm or Tenerife, but camping in Keswick or Wharfedale. We weren’t a family that lobstered on sun loungers; our days were spent circumnavigating a lake or scrambling...
The author of We Don’t Know What We’re Doing has thought quite a bit about how best to approach writing short fiction. We asked him to compile a list of do’s and don’ts and suggested reading that might help practitioners at any stage of their craft. 1. Read Flannery O’Connor. Now. 2. All characters think...
It is dawn when I wake. I have slept more soundly than I did in the hotel. There is a spider on my leg. I kick it off and wipe my face in case there are more. I feel dirt wiped onto my face, and dampness. I grit my teeth and there is dirt in...
Creative writing courses have taken something of a beating in the press of late. Their proliferation is probably one of the main reasons for this, but it is also symptom of their success. I’m not ashamed to say that I became a writer through creative writing groups. They have offered support and inspiration. They have...
The opening shots of guitarist Ivan Kral’s documentary Dancing Barefoot are a series of home-movie clips from New Year’s Eve 1975 at the legendary nightclub CBGB. Over the brooding vamp of the Patti Smith Group’s cover of ‘Gloria’, Kral treats us to overexposed black-and-white shots of New York’s punk-rock royalty, ringing in the New Year...
Standing in my garden, smoking too quickly and slightly drunk, it came to me that I should write to you. It’s funny how certain smells can make a person nostalgic – just cigarette smoke and night time made me think of you. Those smells don’t remind me of you, exactly, because nothing really does (and...
From well-known and treasured stories including Aesop’s Fables, Black Beauty and The Tale of Peter Rabbit, to writers such as Michel de Montaigne, Anton Chekhov and T.S. Eliot, storytellers have used animals not only to capture the imagination of readers, but to deliver powerful and revealing messages about what it means to be human. Animal...
Here’s a little thought experiment for you: imagine you’re sitting at a bar, flanked by two strangers. On your left, a fortyish New Jerseyite orders round after round, which he downs in hefty swigs while examining the sloppy, bloodstained bandages wrapped around his left hand. Catching you staring, with a grin he launches into the...
Paddy Buckley and his story with Vincent Cullen has been with me for twenty-three years. The basic spine of the plot came to me as a single idea while I was sitting with a bereaved family, making arrangements for their son, who’d been killed in a hit-and-run accident the night before. As I sat there...
I translate for myself, then for the novel, finally for any future reader. It is for the pleasure of the work of translating that I do it, but I can only begin when I meet a text that moves me as a reader – which for me means to write. Haroldo Conti’s Sudeste was the...
Between the Pajarito and the river that’s an open sea, turning sharply northwards, narrowing and narrowing at first, to almost half its size, then widening again and drawing curves towards its mouth, coiling in on itself, secluded in the first islands, is the Anguilas Stream. Beyond the final bend the open sea breaks into view,...
I love learning and that’s why I write novels. I’m not talking about research. I’m talking about the process when I sit down to write and empty my mind of everything I’ve ever known in order to make space for stories to emerge from within me. That’s when the real learning happens. It’s at these...
