Island stories and other fictions
When Rishi Sunak recently tried shamelessly to turn the Rochdale byelection into a national crisis, warning about extremism tearing us apart, one phrase leapt out at me. Immigrants who integrate, he said, “have helped write the latest chapter of our island story.” Unless my publishers had really upped their game, I knew he wasn’t referring...
Embracing the unknown
Gina Chung’s near-future debut novel Sea Change is narrated by 30-year-old Korean American aquarium worker Ro, whose menial job is uplifted by taking care of a magnificent, genetically mutated giant octopus called Dolores. Dolores was brought to the aquarium by Ro’s father two decades earlier, lifted from a highly polluted stretch of northern ocean known...
Trials, trauma and women’s tales
In winter 2017, I visited a sandstone cathedral in Orkney called St Magnus. I’d published two novels in as many years, with the next about to be released, and I was exhausted. This trip was meant to be a break from creating – I’d even left my laptop at home in Australia. I wandered the...
Catastrophe on the shore
The boat had seemed large at the dock, but now that they’re rumbling away from Big Island, it seems flimsy and ludicrously small. Luda tries to think of the last time she’d been on a boat before coming to the islands. Years ago. Someone’s thirtieth birthday on the thick, marshy water of the Hopeturn River...
We need to do the impossible, because what’s merely possible is gonna get us all killed
We can debate whether the problem is Us or Them. We can endlessly parse false and real solutions, and fight over what – given prevailing political realities – we’re willing to consider “good enough.” We can argue whether to focus on mitigation, adaptation, or suffering. We can quarrel over whether our salvation lies in individual...
A disunited kingdom
Let me paint you a picture of an alternative Britain sadly not too far from our own… My debut novel Verge charts a journey – both literal and internal – of two very different young people across a Disunited Kingdom where the county borders have become hard borders with checkpoints, processing units, guards and, occasionally,...
Megan McCubbin: Wild in heart and soul
Megan McCubbin, a familiar face to viewers of the BBC’s Springwatch and Animal Park, is a passionate and eloquent champion of wildlife and one of Britain’s foremost young naturalists. Having grown up in and around the Isle of Wight Zoo, and travelled the world on assignment with step-dad and now fellow Springwatch presenter Chris Packham...
Ann-Helén Laestadius: Lost lands and lost lives
Ann-Helén Laestadius’ Stolen is a forceful story of a young Sámi woman battling to preserve the lifestyle and traditions of reindeer herders in Sweden amid a wave of torture and massacre of the animals on whose livelihood they depend. At the age of nine, Elsa witnesses the aftermath of the brutal killing of her favourite...
Light in a world of darkness
In 2013, Icelanders voted for the most beautiful word in their language. They chose a nine-letter one, the job title of a healthcare worker, the Icelandic term for midwife: ljósmóðir. In its reasoning, the jury stated that the word was a composite of the two most beautiful words: móðir, meaning mother, and ljós which means light. Although I had two...
Robbie Arnott: Untamed nature
In the heat of a Tasmanian summer, with the world at war and his brothers away on secretive missions in the Pacific, 15-year-old Ned West traps, shoots and skins rabbits to sell their pelts in the hope of saving to buy a small boat. As his father and older sister struggle to keep the riverside...
Communicating evolutions
Audrey Schulman’s The Dolphin House is an engrossing fictionalised account of a singular episode in modern science. In the mid-1960s, a NASA-funded project led by neuroscientist Dr John Lilly saw naturalist Margaret Howe live in confinement with a dolphin named Peter in a flooded house on St Thomas in the US Virgin Islands, to investigate...
Ned Beauman: Intelligent life
Ned Beauman’s Venomous Lumpsucker is a dazzling satire of a near-future Europe in which global warming-led species decline has become accepted as an unfortunate by-product of economic growth. A system of ‘extinction credits’ means that any company set to gain financially from operations that happen to wipe out an endangered species simply has to purchase...
