Origins
I LIKE ORIGIN STORIES, especially how a writer came into their powers. Whose life was swept away with a memo from Personnel. How that GP’s news became a license to write stories about divorce. Filthy jobs and warehouse nights. Squats and baggies and needles. That sort of thing. Of course, for some it was all...
Violence without motive: the caged ferocity of adolescence
ONCE I BECAME AN ADULT, I looked back and saw the teenager I had been: studious, insecure, wary of role models, unable to blend in. That young girl – with vain, golden ballet shoes on her feet – couldn’t understand her peers, and at every moment expected a sudden slap, a pocketknife pulled out, a...
Off road with mum
WE’RE TWO WEEKS INTO the hottest summer since records began. The chalkland garden outside the house is cringing and wilting despite my best efforts with the old zinc watering can. The molten heat melts candles on windowsills, and the blinds do little to defy the suffocating power of the normally welcome sunshine. I’m hot, bored...
Brouhaha in Baghdad
HUGE CONGRATULATIONS TO Nussaibah Younis, whose debut social and political satire has been shortlisted for this year’s Women’s Prize for Fiction, having already gathered a truckload of rapturous reviews including The Irish Times, Guardian and The Times, which describes Fundamentally as Bridget Jones in Iraq. This novel, a tale of a heartbroken English academic who...
Moving on from making monsters
MONSTER-MAKING IS CONTAGIOUS. Centuries-old narratives about who does or doesn’t belong in a community or a nation and about who is monstrous because they threaten the imagined unity and distinctiveness of the whole have a habit of inspiring new monstrifying narratives. The Nazis explicitly studied, adapted, and expanded to a terrifying degree European formulations of...
Dark, ingenious and daring: Pretty Ugly by Kirsty Gunn
THE WAY PEOPLE TALK ABOUT short stories often inclines to silversmithing analogies: burnished, finely wrought, beautifully crafted. That, or Fabergé eggs. And we say short story collection rather than group. Collection suggests careful selection from an array of available possibilities, white daisies on a vast lawn. In the afterword of Pretty Ugly, a collection of...
Beyond language
Indeterminate Inflorescence is a collection of aphorisms on poetry-writing taken from the creative writing lectures of Lee Seong-bok, one of South Korea’s most prominent living poets. These 470 meditations, collected by his students, are evocative micro-poems in their own right. Some express ideas at once familiar and breathtakingly new – truths we could sense but not put...
An experiment in history
Set in 1830s British North America, my debut novel, The Voyageur, is about an orphan named Alex who falls in love with a rum-guzzling fur trader and follows the older man into the hallucinogenic wilderness of the Great Lakes, only to be shot in the stomach when a trading-post robbery goes off the rails. Present...
Judith Shakespeare
In her 1929 feminist manifesto, A Room of One’s Own, Virginia Woolf explored the reasons why over the centuries women had written so little compared to men. “A woman must have money and a room of her own,” she famously pronounced, “if she is to write fiction.” In lectures originally given in 1928 at Newnham...
Tell me a story
Our oldest memories are in stories. Our oldest memories are stories. To tell a story well is a skill: the sort that can be learned but cannot easily be taught. To be told a story is a pleasure and often a privilege. When I first picked at the thread of an idea for my debut...
Getting on: Later-life female friendship
‘The first time I saw you, do you know what I thought?’ Janet steels herself. ‘I thought, that woman looks like she ploughs her own furrow. You stood out from everyone else – no one else in our street strides around with their pockets clanking with tools. I couldn’t take my eyes off you! I...
History train
‘Mater’ comes from the Japanese abbreviation for ‘mountain’. During Japanese colonialism, fifty Mater 1 locomotives, modelled after their Mountain-type counterparts in the United States, were built in Gyeongseong (Seoul) and at the Kisha Seizo factory in Japan. The thirty-three-carriage Mater 2, an improved version manufactured by Kawasaki Heavy Industries, was introduced and operated mainly in...
