
Survivor rage
David Hare succumbed to Covid-19 last March, as the UK government continued to dither over following the rest of Europe into lockdown. He contracted it in the confines of a cramped Soho editing room, and was soon experiencing a shortage of breath followed by complex symptoms he describes as “kicking around like I’ve swallowed a...

Island voices
Most people’s vision of the two-island nation of Trinidad and Tobago would comprise gorgeous, untainted beaches, lively festivals and scrumptious Creole cuisine, while V.S. Naipaul put the islands on the literary map with his early Trinidad-set novels, most notably A House For Mr Biswas. Two singularly brilliant debuts – One Year of Ugly by Caroline...

The Mourners’ Kaddish
Sometimes it is very hard to put words to experiences. In Adorno’s much used (and misused) own words, “there can be no poetry after Auschwitz”; the human soul and mind can conceive of no recreation of experience, no seamless relating to, or of, life through words alone, once the humanity of meaning has been so...

Laura Lippman: From all sides
Set in mid-1960s Baltimore, Laura Lippman’s latest standalone Lady in the Lake is a compassionate snapshot of a city in cultural and political flux. Though most of the focus is on Maddie Schwartz’s transformation from a Jewish housewife living in an upscale neighbourhood to a hardened newspaper reporter residing in a downtown flat, Lippman constantly...

A complex complicity
“I’ve forgotten such a lot. Most of it, really. Certain things stick of course, although I’ve no idea why. I don’t understand how it works. I read something and then I go across the room to check what’s for dinner and completely forget what I’ve just read. I think, wait a minute, I’ve only just...

All in the mind
At the risk of sounding like valedictorian delivering a graduation speech, a ‘psychological thriller’ is defined on Wikipedia as a thriller “which emphasizes the unstable or delusional psychological states of its characters.” As definitions go, that’s good enough for me. In general, I just know a psychological thriller when I read one. Most whodunits, at...

Visions and monsters
The Monstrous Child, which has just completed a very successful run at the Royal Opera House’s Linbury Theatre, is one of the first and most audacious examples of a new genre: highly evocative classical opera especially written for teenage audiences. Adapted from the YA novel of the same name by Francesca Simon with music by...

Leïla Slimani: We are all monsters
Leïla Slimani has been in huge demand on the global literary circuit since winning the Prix Goncourt in 2016 with her second novel Chanson douce, which was published in English last year as Lullaby (and in the US as The Perfect Nanny), translated by Sam Taylor. A worldwide bestseller, it opens with the double...