A precarious house of stories
Over the past five decades I have researched proverbs, art, myths and other verbal genres that magnify the differences between men and women. These sources – many of which are thousands of years old – shed light on our conversations around gender today. For the most part, our myths are mainly concerned with justifying, or...
A time to write
It’s difficult to cast my mind back to the early days of the pandemic, even though it wasn’t so long ago. Maybe because it’s a stressful time that most of us would rather forget, or maybe since many of our deeply rooted memories have to do with human interaction, it is difficult to understand, to...
Rijula Das: The constant smallness of being
Set in Calcutta’s notorious red-light district Sonagachi, Rijula Das’s debut Small Deaths resists lazy stereotypes. Years of research have provided Das with an intimate understanding of the power dynamics at play between the madams, pimps and police, and how their often-cruel manoeuvrings have devastating consequences for the endless stream of girls and young women trafficked...
The vulgar, not the Vulgate
A brief note on the word, ‘sex’. I find myself avoiding it often. It is an ugly word. Not because it is boorish, but because it is too refined. ‘Sex’ is clinical: sterile, precise, institutional. It comes from the Norman French, originally Latin – what philologists Reneé and Henry Kahane called ‘the status symbol of...
“Grab ’em by the pussy”
In a 2005 Access Hollywood videorecording, bankrupt businessman, soft-core porn film actor, and reality show star Donald Trump can be heard using objectifying and body-chopping language which escalates to airing his views on his expectation that he can sexually assault women. “Oh, nice legs, huh?” Trump says, eyeing a woman. “I did try and f—...
Ukamaka Olisakwe: Breaking free
Ukamaka Olisakwe’s fierce, measured, ultimately hopeful novel Ogadinma, rightly dubbed “a feminist classic in the making”, is an unflinching portrait of female survival and inner strength in the face of multiple harrowing obstacles in modern-day Nigeria, where patriarchal rules and behaviours are ingrained but fought against daily by the nation’s women. The eponymous heroine is...
Nicola Maye Goldberg: Room for doubt
Nicola Maye Goldberg’s Nothing Can Hurt You is a literary thriller that revolves around the murder of a young female student by her boyfriend, but rather than investigate the crime, she deftly examines its repercussions on a broad spectrum of people, from those directly affected to a wider society habituated to violence against women. Sara...
God’s rib
When I think about my own death, the moment it happens is always the same. I’m wearing a plain, colored shirt and a matching pair of pants, cut from thin material that’s easy to pull on. It’s early in the morning and I am happy, I feel the same sense of contentment and satisfaction as...
William Ryan: Seeking answers to the darkness
William Ryan’s historical thriller A House of Ghosts has been receiving high praise in the press and from readers. I’m willing to bet the stunning cover design, featuring an embossed gold-leaf image of Blackwater Abbey, has played a part in the novel’s success. Stars flicker in the night sky and stylised rays of light fan...
Petra Hůlová: Gender agendas
Multiple award-winning Czech novelist and playwright Petra Hůlová’s Three Plastic Rooms takes the form of a foul-mouthed monologue by an unnamed prostitute in city very like Prague, who holds forth on matters regarding her profession, her punters and society at large. It is her second novel to be translated into English, the original Czech edition...
Lilja Sigurðardóttir: Caught in a trap
Iceland is a country that has loomed large in my imagination since I was a young child. My father was stationed on a United States military outpost near Reykjavík in the mid-sixties. Heavily pregnant and unable to return to Pakistan to be with her parents, my mother and older brother went to live with my...
Kate Murray-Browne: Buyer beware!
Kate Murray-Browne’s brilliantly suspenseful first novel The Upstairs Room has been described as a ‘property horror story’. Eleanor and Richard, an editor and lawyer respectively, move into a large four-bedroom house in East London with their two small daughters. The house is at the upper limit of what they can afford and Eleanor feels uneasy...
