Laura McVeigh: Journeys of the mind
Laura McVeigh’s debut novel Under the Almond Tree is a vibrant and tender modern fable of a young life blighted by war. Fifteen–year-old Samar is displaced from Taliban-controlled Afghanistan and narrates her story from aboard the Trans-Siberian Express as it trundles east and west between Moscow and Vladivostok. With family and memories in tow, as...
Steven Uhly: A life of encounters
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
Chris Cleave: Across the divide
Chris Cleave’s latest novel, Everyone Brave Is Forgiven, is a London-set examination of the real impact of the Second World War, centring on an 18-year-old schoolteacher called Mary North. Cleave and I have tea one afternoon in Piccadilly to discuss it. There’s a reason why we’re drinking tea and not, say, vermouth. Cleave doesn’t drink....
Welcome to dystopia
Writer-directors Alex Helfrecht and Jörg Tittel have adapted and filmed György Dragomán’s dystopian fantasy The White King, a series of interlinked stories influenced by the author’s childhood in a Hungarian enclave of Romania during the Ceausescu regime. Lorenzo Allchurch stars as 12-year-old Djata, whose father Peter (Ross Partridge) is imprisoned while he and his mother...
Chibundu Onuzo: Sticking together
Chibundu Onuzo’s vibrant second novel Welcome to Lagos – following 2012’s acclaimed The Spider King’s Daughter – is the story of an unlikely band of runaways thrown together as they escape civil unrest in the Niger Delta to start a new life in Nigeria’s chaotic and sprawling megacity. Army officer Chike and loyal foot soldier...
Enchanted by the mystery of books
Ana Pérez Galván, the tranquil force behind Hispabooks, has an unwavering dream: to publish new writing from every corner of Spain in English translation, and to change readers’ perceptions of Spanish literature as eternally oscillating between the two monumental poles of Cervantes and Lorca; to revise our view of Spain as being only the realistic...
Miriam Elia begs to differ
Artist and satirist Miriam Elia’s Ladybird-style spoof We go to the gallery was one of the self-made hits of 2015. It attracted both the ire and the opportunism of publishing giants Penguin, who own the copyright in the original, long-overlooked series, and tried to quash Miriam’s work while rushing out their own adult Ladybirds. Now,...
DBC Pierre: The energising struggle
DBC Pierre is already at the appointed bar when I arrive 15 minutes early for our interview. He’s smoking and chatting outside and I worry about how to interrupt him but he’s as courteous as he is convivial. We have met once before – I used to work in a bookshop in a train station...
Gavin Extence: An occupied mind
The set-up for Gavin Extence’s The Empathy Problem is as bleak as they come: Gabriel Vaughn, a hotshot hedge fund executive with a heart of stone, is given only months to live when he learns that he has an inoperable brain tumour. The tumour happens to be located in the part of his brain that...



