The Tree of Ecstasy and Unbearable Sadness
THE TREE OF ECSTASY AND UNBEARABLE SADNESS is a groundbreaking, large-scale intermodal project weaving together the worlds of art, music and literature in the poignant story of one boy’s journey into mental illness. Readers and listeners are offered a mesmerising visual and auditory tour de force about beauty and resilience, society and belief, that at...
Anatomy of an obsession
You’re likely wondering what all this is about – my aim in contacting you. It’s been three years since rain flicked our glasses as we stood inches apart and I stared at your quivering upper lip, which always reminded me of the tilde: ~. Last week, a journalist contacted me. Since I appeared in a...
“With affection, wondrous sensible” – a life of reading Shakespeare
For Leonard Barkan, even the littlest things can mean the world. It is not size, but substance that truly matters. Readers of his (many, and “wondrous sensible”) books should take good note of this, and never skim, skip, or, worse even, skivvy, over his words or pages, for nothing in them is a mere “mouthful...
Trading places, writing stories
It can be argued that few gestures in the history of humanity can claim to have had such an impact on societal structures, on cultural evolution, and on civilisational encounters as trade. From the first barter exchanges (you had to be ready to meet someone else, and to acknowledge different, mutually complementary needs, in order...
Towards an aesthetics of (im)perfection
There is a certain aura of myth and legend when it comes to Jane Austen. We think we know so much about her, and at the same time we apparently never tire of being thrilled by the mystery that seems to surround her, from her private life to what is quite simply her writerly genius....
Reading Ulysses
When I was 22, I spent the month of June travelling around the Balkans by myself. I was trying to heal a broken heart, having been unexpectedly dumped by a boyfriend. Night after night, I ate supper alone in a taverna with just my book for company. The book in question was not only one...
What are you playing at?
What is the opposite of a game? Work? Reality? Real life? Read the books on this list and you’ll be even less certain. From a teacher lured into a game of make-believe (or is it?) on a Greek island, to the S&M mind games of The Image, to Professor Johan Huizinga’s seminal Homo Ludens, the...
Literary lingo
While serving in World War II, Joseph Heller concluded that war was a farce in which only those crazy enough to fight were considered sane enough to do so. That became the theme of a novel he wrote several years later. Heller titled his novel Catch-18. Just as this book was about to be published...
Groundbreaking women
What does it mean to break ground? To make an incision in soil so that building can begin or, more loosely, a reference to genius or creative prowess – some kind of innovation. What does it connote for the female body, given it’s a rare woman that hasn’t been told to lie down on the...
The vulgar, not the Vulgate
A brief note on the word, ‘sex’. I find myself avoiding it often. It is an ugly word. Not because it is boorish, but because it is too refined. ‘Sex’ is clinical: sterile, precise, institutional. It comes from the Norman French, originally Latin – what philologists Reneé and Henry Kahane called ‘the status symbol of...
This great horse-faced bluestocking
There are books that have transformed the world; stories that have changed the course of lives. For more than 150 years now, the novels of George Eliot (Mary Ann Evans) have done just that for an unwavering and undiminishing succession of readers: they have stopped them in their tracks almost midway, literally nell mezzo del...
Leïla Slimani: We are all monsters
Leïla Slimani has been in huge demand on the global literary circuit since winning the Prix Goncourt in 2016 with her second novel Chanson douce, which was published in English last year as Lullaby (and in the US as The Perfect Nanny), translated by Sam Taylor. A worldwide bestseller, it opens with the double...
