More than itself
More than a poet, Rilke, one might argue, is a supreme embodiment of a Platonic idea of the artist, a sublime abstraction of the power of art and of words to haunt us and to grant us life. Even when alive, he was less a person than he was a persona, a complex yet intangible...
The view from below
Robert Macfarlane’s Underland: A Deep Time Journey has its roots in three ‘surfacings’ that occurred in the spring and summer of 2010: the explosion of the Icelandic volcano Eyjafjallajökull, the Deep Water Horizon blow-out in the Gulf of Mexico, and the entrapment of 33 miners at the San José copper and gold mine in northern...
Leïla Slimani: We are all monsters
Leïla Slimani has been in huge demand on the global literary circuit since winning the Prix Goncourt in 2016 with her second novel Chanson douce, which was published in English last year as Lullaby (and in the US as The Perfect Nanny), translated by Sam Taylor. A worldwide bestseller, it opens with the double...
A red sun setting over ruins
Modern Greek literature is often viewed with relative suspicion when translated or transposed for the foreign reader beyond its borders; it is deemed perhaps too local and of limited or specialist interest, too parochial and unmodern, or as a weak, nerveless attempt at emulating Western fads and already expired fashions. Greekness is inevitably dominated by...
Great expectations untold
In 1949 an Australian man is travelling around Europe – a Europe that has only recently emerged from the cataclysmic shock of WWII, and still very much bears the marks of unhealed, perhaps unhealable searing wounds. This man, Denison Deasey, carries with him an aura of mystery and of multiform tragedy, of fate eluded and...
In too deep
Having laid my son-in-law out for the count, I continue on my way. From the outside, anyone might think I’ve lost all feeling. Once upon a time, I knew myself well. I mean that my behaviour rarely surprised me. When you’ve experienced most situations, you also learn the correct responses to them. You even notice...
Once in Paris
The call comes when he least expects it. He’s tidying away what’s left of lunch – some cold meat wrappers, a crust of baguette – when the phone rings, in that short-tempered peremptory way machines have. He almost doesn’t answer it; he’s been fending off unwanted offers of insurance, unlimited broadband, crates of discount wine...
Piercing prisms and Persian perspectives
“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
Lewis and Ernest and Hadley
Lewis scooped a handful of mail from the pile on his desk and riffled through it, his eyes scanning the senders’ names on the envelopes. He recognized some as American bankers, undoubtedly asking him to impress on the French that their war loans must be repaid. And some as French officials, reminding him that the...
Négar Djavadi: Neither here nor there
French-Iranian screenwriter Négar Djavadi’s illuminating, richly entertaining debut novel Disoriental combines a sweeping family history in 20th-century Iran with an intimate study of identity and motherhood in contemporary Paris. Kimiâ Sadr is a lesbian punk rocker who spent her teenage years in the French capital after the family fled the trauma of Iran’s 1979 Islamic...
Six white robins
The Beggar and Other Stories is a very unusual collection, and in fact an arrangement not directly intended to appear as such by its author. Its compiler, Gaito Gazdanov’s newest translator Bryan Karetnyk, has orchestrated a truly unconventional array of layers of both fiction and reality, of narrative experiences and of perspectives of vision and...
Answers without questions
The Dictionary of Animal Languages is a single-voice narrative that moves concurrently on two planes of being; it stretches itself over dual dimensions of time and space, and lays claim on a bifocal understanding of the self. Not a dichotomised self, but a fully alert, almost live-wire vivid, split consciousness, whose strands interlace ineluctably, creating...
