An experiment in history
Set in 1830s British North America, my debut novel, The Voyageur, is about an orphan named Alex who falls in love with a rum-guzzling fur trader and follows the older man into the hallucinogenic wilderness of the Great Lakes, only to be shot in the stomach when a trading-post robbery goes off the rails. Present...
The water-god and the feathered snake
Another man is standing guard with the usual man who is standing guard. I have not seen this man before. He is slight, narrow-faced, with a shaven upper lip. All is well? I ask. I am not in the mood for talk but the question is a courtesy. All is well, says the usual man....
The weeping woman
The Lienzo de Tlaxcala, an Indigenous 16th-century chronicle of the conquest of Mexico, frequently depicts a young woman with black hair. Dressed in a long skirt and a richly patterned blouse, she stands at the right-hand side of conquistador Hernán Cortés. She seems to be listening intently. Sometimes her finger is raised, as if she...
Ellen Hawley: Hard-earned love
As any art director, editor or marketer would insist, a book should always be judged by its cover. What made Other People Manage so pickupable for me, was the immediate association with books by Anne Tyler, Carol Shields, Alice Munro, Suzanne Berne… you get the picture. Physically, and thematically, this book resembles those other rather...
Larkin, Sebald and the backs of envelopes
Jessie Greengrass burst onto the literary scene in 2016 with her prize-winning story collection An Account of the Decline of the Great Auk, According to One Who Saw It, and her debut novel Sight (2018) was shortlisted for the Women’s Prize. Her second novel The High House is a stunning investigation of the extraordinary and...
