Precious weirdness
Claire Vaye Watkins’ I Love You, But I’ve Chosen Darkness, is an immersive, transgressive and darkly funny work of autofiction. Its narrator, a writer named Claire Vaye Watkins, leaves her husband and newborn baby daughter to go on a book tour, which transforms into a wild romp away from the confines of marriage and motherhood,...
Obama the chameleon
The concept of race has no evidentiary basis in science or the serious study of the natural world, but as a social construction, it has had a powerful impact on the shaping of the modern era. Race has structured hierarchies and relationships within vast empires and between powerful nation-states and subjugated colonies for centuries. Further,...
It takes guts to make good art
“As for you, the vultures will feast on you!” With these words of visceral triumph (quite literally, since he has just thrust his spear into his fallen opponent’s underbelly), Hector, “preeminent among the war-loving Trojans”, finishes off Patroclus in Book XVI of Homer’s Iliad, but only after the latter had been struck down twice already,...
Blind ricochets and unexpected avenues
“We want Jack! We want Jack! We want Jack!” It starts with just one voice, some anonymous drunken loser without a girlfriend to embarrass, hidden deep within the chattering mass of denim and leather. Cliché to begin with, those three syllables sound particularly obnoxious coming from just one person. But a restless herd of kindred...
Ink blots in the trunk
Every aspiring writer is familiar with the concept of the ‘trunk novel’. This is the novel that doesn’t make it to the bookshelf, but instead gets tucked into a bottom desk drawer or old USB drive after refusing to do what its writer wants it to do. Often it’s the writer’s first attempt at a...
Secrets and lies, red Welshmen and words of vagrant wisdom
“All families develop a special language, words and references no outsider can understand. My family’s special language was Rotwelsch.” Thus begins Martin Puchner’s complex, compelling, if at times ambivalent exploration of a family and a language, or in point of fact of Language (and perhaps Family) capitalised. Of language as an institution, as a structure...
Fifty per cent of Borges
“For nearly the past three years, I have been lucky to have my own translator by my side,” Jorge Luis Borges wrote in 1970, “and together we are bringing out some ten or twelve volumes of my work in English, a language I am unworthy to handle, a language I often wish had been my...
Don’t just think about it – how thoughts can be life’s actions
The ancient Greeks, and the Romans in their wake, loved to think. They were enchanted, startled and astonished by the world around them, not only by its wondrousness, but also by its terrifying vastness, inscrutable perils, its dark mysteriousness and unknowingness. They found a sense of thrill and exaltation in the perusal of magnitude and...
Literary lingo
While serving in World War II, Joseph Heller concluded that war was a farce in which only those crazy enough to fight were considered sane enough to do so. That became the theme of a novel he wrote several years later. Heller titled his novel Catch-18. Just as this book was about to be published...
A chance to tell his story
A boy grows in rural northern Italy, in the midst of pastoral peace and bloody internecine war; little is known about his parents or his childhood, for all the many stories that would be told about him once he became a novus homo, poet, imperial confidant, the voice of a people and an empire –...
Nasim’s story
I moved to New York in January 2014 to start reporting New Yorkers. I had spent the previous decade researching, reporting and writing two books about other places. They were based on my experiences interviewing a wide array of people to get a feel for their lives, their work and the places they made. For...
Shakespeare’s advice to writers? Use the pandemic (sometimes)
Shakespeare’s life was defined by the bubonic plague. What can we learn from the OG of pandemic writers? Make it count Today’s writers should deploy our pandemic’s memento mori – face masks, hand sanitiser, refrigerated morgue trucks – sparingly. Overuse lessens impact. Shakespeare knew this: he reserves images of miasmas (plague-spreading pockets of corrupted air)...
