Wendy Erskine: Beyond normal
Wendy Erskine’s debut story collection Sweet Home, published last year by The Stinging Fly Press in Ireland and since picked up by Picador, combines intelligent lucidity, humour, fear, compassion and above all, what is it to be human. The stories are complicated yet simple; hilarious yet chilling; they deal with both our darkest nature and...
Teenage heaven
In 2003, the big haze lingered. Severe Acute Respiratory Syndrome had broken out in Guangdong the year before and coughed and hacked its way around the region. People had died from it. Everyone was afraid of getting infected. Some wore stupid-looking hospital masks but Szu and I would rather have been caught dead than join...
Kate Murray-Browne: Buyer beware!
Kate Murray-Browne’s brilliantly suspenseful first novel The Upstairs Room has been described as a ‘property horror story’. Eleanor and Richard, an editor and lawyer respectively, move into a large four-bedroom house in East London with their two small daughters. The house is at the upper limit of what they can afford and Eleanor feels uneasy...
Tim Murphy: Shouting out
Published last year in the US, and now here in the UK, if you haven’t already heard of Tim Murphy’s novel Christodora, let this be your tip-off. Not least because Paramount TV have bought the rights and they’ve hired Ira Sachs and Mauricio Zacharias – whose film collaborations Keep the Lights On (2012), Love is...
Nathan Hill: Unpuzzling it all
Nathan Hill’s debut novel The Nix is a hefty, engrossing, deeply funny family drama and a sweeping examination of American politics, protest and the shifting media landscape over the last fifty years. At its centre is Samuel Anderson, a blocked writer, bored teacher and online gamer, whose mother Faye walked out decades ago and re-enters...
On Silence
How do you tell the story of Christian faith? The difficulty, the crisis, of believing? How do you describe the struggle? There have been many great twentieth-century novelists drawn to the subject – Graham Greene, of course, and François Mauriac, Georges Bernanos and, from his own very particular perspective, Shusaku Endo. When I use the...
Worth watching
Woody Allen’s Manhattan begins with a montage of iconic New York City locations. Park Avenue, the 59th Street Bridge, the Staten Island Ferry; captured in sleek-as-silver Panavision black and white, a procession of these marvels dazzles the eye, while in our ear Allen’s voice agonises over the opening lines of a novel he’s writing. “Chapter...
Squinting at DeLillo
“I thought, Is this the world as it truly looks? Is this the reality we haven’t learned how to see?” Artis Martineau, Zero K Those who came of age in the nineties will no doubt remember the Magic Eye craze. Many will recall the fraught minutes spent studying these seemingly-abstract images, trying to ‘relax’ our...
Lisa Owens unravelled
“6pm on a Thursday, and while I may not have applied for any jobs, I have made myself eligible to win a Mini Cooper, two nights in Paris and seven in Miami, £500 of vouchers for a Scandinavian clothing brand, an enormous TV (which I plan to sell on), an espresso machine (which I’ll definitely...
Garth Greenwell: Cruise control
Writing in The Atlantic last year, Garth Greenwell hailed Hanya Yanagihara’s Man Booker shortlisted A Little Life as the great gay novel we’ve been waiting for. Regular Bookanista readers might recall my own obsession with Yanagihara’s novel last year. Like Greenwell I found radical potential in the models of adult life it portrayed. Nearly a...
