I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society. Some of my early work dealt with fratricidal violence and internecine warfare, not too dissimilar...
It’s I Spy meets solitaire: a solo diversion that helps to pass the time in doctors’ waiting rooms and tedious meetings. I’ve done it in train carriages and post office queues; sitting on an undersized plastic chair before the curtain rises on a school nativity play. I thought everyone did. But I’ve come to understand...
The true tales of murder that feature in Great and Horrible News cover a period of some 200 years, from approximately 1500 to 1700. It was a time that encompassed the rise and fall of the Houses of the Tudors and the Stuarts, the English Civil War, the Protectorate, the Restoration and the Glorious Revolution. England split...
Berlin is a city with drama at its heart, and it’s impossible not be drawn in by the charisma of it. I first arrived there on a three-month scholarship to research the book that would become I Laugh Me Broken but then I found I was unable to leave. I was never quite finished with trying to...
Take your seat – preferably, if you can, in the centre stalls, for a commanding, birds-eye panoramic view of the spectacular stage that Es Devlin has created for Sam Mendes’ National Theatre production of The Lehman Trilogy, currently at the Gillian Lynne Theatre in London. As the lights switch on, you will find yourself in an existential space-time warp:...
Reality TV is dead! Long live reality TV! And so it goes. Just when we think audiences have had enough, and production companies are scraping the barrel for ideas, along comes another surprise that grips the nation. This winter, it was The Traitors that got the whole nation talking – and not just about how Claudia Winkelman...
In May 2020, in the early months of the first Covid-19 lockdown, Tina Kover posted on Twitter that she was considering uploading a video of herself reading from one of her translations but wasn’t sure if anyone would be interested in watching such a thing. Amid a flurry of replies, fellow translator Charlie Coombe suggested...
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...
My twentieth novel, Reservoir, is a psychological thriller about memory, secrets and shame. My central character Hannah has reinvented herself in order to escape her past. Like me, she has moved from a working-class background into a profession that is traditionally middle class – in her case it is psychotherapy rather than writing. At a recent...
Lore Segal published her first Ladies’ Lunch story, ‘The Arbus Factor’ in The New Yorker in 2007, and the most recent, ‘Soft Sculpture’, in summer 2022. For her extraordinary new collection, published to coincide with her 95th birthday on 8 March 2023, she brings three new stories together into a sequence with earlier stories published in The New Yorker and elsewhere....
Danielle Evans’ brilliantly titled short story collection Before You Suffocate Your Own Fool Self (a quote from ‘The Bridge Poem’ by Donna Kate Rushin) covers a range of themes from being a teenager to race and class and complicated families. Showing us the yearning we have to be loved and wanted by our parents, these stories are...
