Laura McVeigh’s debut novel Under the Almond Tree is a vibrant and tender modern fable of a young life blighted by war. Fifteen–year-old Samar is displaced from Taliban-controlled Afghanistan and narrates her story from aboard the Trans-Siberian Express as it trundles east and west between Moscow and Vladivostok. With family and memories in tow, as...
Elena Ferrante is traditional in the most radical, boundary-dissolving ways; conventional with subversive fervour and delicately powerful talent. In Frantumaglia: A Writer’s Journey she proves above all the invincible strength of her authorial translucence, the rock-solid presence of her so-called anonymity, which she invariably corrects as being a determined gesture of absence. The word frantumaglia,...
Guillaume Morin stood at his kitchen window, peering through the falling snow. Across the street, two men in matching brown leather jackets were unloading boxes from a metallic blue Cadillac and lugging them into Suzanne Sillery’s old place. “Stop staring! It’s not proper.” Guillaume looked at his wife. She was seated at the kitchen table,...
As the current two top-ranking films at the US and UK box office testify, adaptations are a reliable route for getting a film out to a receptive audience. The Lego Batman Movie is an adaptation not only of the original DC Comics stories but also a playful take on just about every iteration of the...
“Where do you get your ideas?” Or, to paraphrase, “You look like a pretty normal person to me, so where did all that come from?” It’s the baseline question, the one we’ve all been asked. Often, the questioner is really asking something more specific: “How much of your book is written from life?” or “Did...
‘Swaddling Clothes’ by Yukio Mishima has haunted me ever since I encountered it twenty years ago when I was a literature student at UCLA. It is a fascinating character study of Toshiko, a woman consumed by her fear of inescapable fate – a subject that fascinates me. Over the years, the character of Toshiko has...
Sonja is sitting in a car, and she’s brought her dictionary along. It’s heavy, and sits in the bag on the backseat. She’s halfway through her translation of Gösta Svensson’s latest crime novel, and the quality was already dipping with the previous one. Now’s the time I can afford it, she thought, and so she...
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
I had been in Germany for almost a year by now. One dark and rainy day in November – how clearly I remember it – I was skimming the newspaper when I noticed an article about an exhibition of new painters. In truth, I did not know what to make of this new generation. Perhaps...
Chris Cleave’s latest novel, Everyone Brave Is Forgiven, is a London-set examination of the real impact of the Second World War, centring on an 18-year-old schoolteacher called Mary North. Cleave and I have tea one afternoon in Piccadilly to discuss it. There’s a reason why we’re drinking tea and not, say, vermouth. Cleave doesn’t drink....
Imbolo Mbue made headlines in the publishing world a couple years ago, when Random House snapped up her debut novel The Longings of Jende Jonga with a million-dollar pre-emptive bid. Mbue, a former market researcher left unemployed after the 2008 crash, had written the story of an African immigrant (like her, a native of Cameroon...
Nathan Hill’s debut novel The Nix is a hefty, engrossing, deeply funny family drama and a sweeping examination of American politics, protest and the shifting media landscape over the last fifty years. At its centre is Samuel Anderson, a blocked writer, bored teacher and online gamer, whose mother Faye walked out decades ago and re-enters...
