A mattress
My fiction comes from voices; voices that I hear, and then do my best to transcribe. The voice that follows, which comes from the second story in Address Book, turned out to be a really tricky one to get down. Basically, that’s because going back to the 1980s is still very hard for me. There...
Imagining an island
While fine-tuning my fourth novel, Missing, I started thinking about my fifth. In the Scottish Borders, fact-checking my references to Hawick, I mentioned to the friend with whom we were staying that I was thinking of setting my next novel somewhere totally fictional, somewhere superficially familiar but with local customs and minor rules that would...
Madness, lies
Graeme Macrae Burnet’s fourth novel Case Study is an inventive, archly funny meditation on mental health and the nature of self, in which a young woman presents herself under an assumed identity as a patient to a charismatic, self-taught psychotherapist called Collins Braithwaite, who she believes may have encouraged her sister’s suicide. Set chiefly in...
Blind ricochets and unexpected avenues
“We want Jack! We want Jack! We want Jack!” It starts with just one voice, some anonymous drunken loser without a girlfriend to embarrass, hidden deep within the chattering mass of denim and leather. Cliché to begin with, those three syllables sound particularly obnoxious coming from just one person. But a restless herd of kindred...
Ink blots in the trunk
Every aspiring writer is familiar with the concept of the ‘trunk novel’. This is the novel that doesn’t make it to the bookshelf, but instead gets tucked into a bottom desk drawer or old USB drive after refusing to do what its writer wants it to do. Often it’s the writer’s first attempt at a...
The story of their history
The experience of lost places of belonging, of lost states of existence, together with the tenacity to defy and resist both loss and non-being, are deeply ingrained in the Russian language: thanks to Maxim Gorky, a term such as Бывшие люди, or ‘former people’, would come to acquire an eerily tangible corporeality, reality, and even...
Elif Shafak: Time to reconnect
Elif Shafak’s richly evocative, elegantly crafted novel The Island of Missing Trees transports readers between 1970s Cyprus and 21st–century London in a cross-generational saga of passion, trauma, memory and renewal. Greek Cypriot Kostas and Turkish Cypriot Defne fall in love as teenagers in the divided city of Nicosia in 1974, meeting undercover in the back...
Tessa McWatt: A place in the world
Tessa McWatt’s The Snow Line throws together four strangers at a wedding in the Indian Himalayan foothills. Twenty-five-year-old Reema is a classical singer born in India but raised as a Londoner, who has travelled without her Scottish boyfriend. Having recently discovered she is pregnant, she is facing a life-shifting decision about her future. Yosh is...
Samira Sedira: The makings of a murder
French-Algerian author and actress Samira Sedira’s People Like Them, her first novel to be translated into English, is a fictional retelling of a real-life multiple murder in a mountain village in Haute-Savoie, in which a recently arrived wealthy black property developer, his white wife and their three young children were brutally killed by a neighbour....
Books as a Covid passport
Earlier this year, my novel The Butchers won the 2021 RSL Ondaatje Prize, awarded to the book which best evokes ‘the spirit of a place’. The prize seems like a lovely thing at the best of times – I am a big believer in the transportive power of books – but this year it felt...
Grief and transformation
My debut novel This Shining Life is a meditation on grief. It follows a family on their journey through bereavement after the death of Rich, a beloved father, son, husband and friend. When I first invented his character I saw him in a garden at dawn with the sky pale and peachy behind him. He...
