
Weaving fiction from the real and imagined
Nearly fifteen years ago, a man was found dead on a beach in the northwest of Ireland. Nobody knew who he was or where he had come from. The man had taken steps to hide his identity by using a fake name, paying in cash, and disposing of his belongings as he travelled. That scene...

Familiar things
Aasmah Mir’s candid and eloquent memoir A Pebble in the Throat tells of her childhood in 1970s Glasgow, and traces in parallel the story of her mother Almas’ own life as a young woman in Pakistan in the 1950s before uprooting to Scotland. A love letter to Scotland, to heritage and to family, it doesn’t...

Roughly organised, somewhat scattered
Cecile Pin’s exceptional debut novel Wandering Souls is a beautiful and haunting look at the plight of Vietnamese refugees in 1970s France. Partly based on her mother’s experience of coming to the country as a refugee, it’s about identity, loss and trying to find a feeling of belonging – a very human picture of the sacrifices and...

Ann-Helén Laestadius: Lost lands and lost lives
Ann-Helén Laestadius’ Stolen is a forceful story of a young Sámi woman battling to preserve the lifestyle and traditions of reindeer herders in Sweden amid a wave of torture and massacre of the animals on whose livelihood they depend. At the age of nine, Elsa witnesses the aftermath of the brutal killing of her favourite...

Close at hand and out of reach
Jonathan Escoffery’s debut novel is bold and beautiful. It’s told over seven interconnected stories and from different members of the same family. A Jamaican family come to the USA to find a better life for their sons Delano and Trelawny but things don’t work out as planned. When his parents split up Trelawny stays with...

from Border Zone
John Agard has been broadening the limits of British poetry for the past 40 years. His ninth Bloodaxe collection, Border Zone, explores a far-reaching canvas of British/Caribbean transatlantic connections, sweeping across centuries and continents. It’s a diverse collection in which the thought-provokingly mischievous, bawdy, elegiac and satirical rub shoulders with the sequence The Plants Are Staying Put –...

Maggie Gee: Being human
Hot on the heels of the release of a 20th anniversary edition of her Orange Prize-shortlisted The White Family, Maggie Gee’s latest novel The Red Children is a sequel of sorts. But the sometimes stark realism of the earlier book, which was motivated by her grief, anger and shame over the murder of Stephen Lawrence,...

Truth or dare
My name is Fatima Daas. I write stories so I don’t have to live my own. I’m twelve years old when I go on a school trip to Budapest. Everyone gathers in the evening to go over the itinerary. Right after dinner, in a big room where there’s no network. Impossible to connect to MSN...

Precious weirdness
Claire Vaye Watkins’ I Love You, But I’ve Chosen Darkness, is an immersive, transgressive and darkly funny work of autofiction. Its narrator, a writer named Claire Vaye Watkins, leaves her husband and newborn baby daughter to go on a book tour, which transforms into a wild romp away from the confines of marriage and motherhood,...