“Deep curiosity, deep listening, that’s what we have to give to each other. Reading is a form of deep listening, isn’t it? Staying with something, and being affected by it." Maggie Gee
Posts tagged "interview"
Alex North: An intriguing game

Alex North: An intriguing game

It was just a silly game to start with. Paul never dreamed that Charlie would take it so far. Never thought it would end in murder… Twenty years later, Paul is trying to put his past behind him. But now his mother is dying, and he can’t run any longer. But home isn’t just full...
Mark Edwards: Proverbial needle, proverbial haystack

Mark Edwards: Proverbial needle, proverbial haystack

In No Place to Run’s opening sequence, Francesca Gilbert is seventy-five years old, mourning the recent loss of a husband, and six hundred miles into her train journey home. Dawn is breaking across a clearing in a Northern California forest when Francesca sees a young woman with “vivid auburn hair” being chased by a man....
Chloe Lane: To any lengths

Chloe Lane: To any lengths

Twenty-six-year-old Erin Moore has just been dumped by her gallery-owner boss after his wife discovered them in a compromising clinch in a store cupboard. She heads north from Auckland to spend the Queen’s Birthday holiday weekend at the old family farmstead, where her mother Helen, terminally ill with motor neurone disease, is being cared for...
Ellen Hawley: Hard-earned love

Ellen Hawley: Hard-earned love

As any art director, editor or marketer would insist, a book should always be judged by its cover. What made Other People Manage so pickupable for me, was the immediate association with books by Anne Tyler, Carol Shields, Alice Munro, Suzanne Berne… you get the picture. Physically, and thematically, this book resembles those other rather...
Stage dive

Stage dive

“The troubadour’s spirit is to not chase anything. You simply go about your business and wait for the world to spin slowly on its axis until eventually it comes back around and finds you – still there, waiting patiently,” writes journalist Nick Duerden in his new book Exit Stage Left: The Curious Afterlife of Pop...
Caryl Lewis: Storms and wonders and cultures on the edge

Caryl Lewis: Storms and wonders and cultures on the edge

Sister and brother Nefyn and Joseph, both in their mid-twenties, have lived alone in an isolated cottage on a clifftop on the coast of West Wales for a decade since their fisherman father was lost in a sea storm. Nefyn has a close affinity to the workings of the tides, and over time has built...
Lara Williams: Lost at sea

Lara Williams: Lost at sea

Lara Williams’ second novel The Odyssey is a biting satire about a generation cast adrift by the gig economy. Its narrator Ingrid joined the crew of a luxury cruise ship to flee from a failed marriage, and is buffeted between ever-changing roles within a mind-numbing micro-economy which sees her faking it as anything from a...
Maggie Gee: Being human

Maggie Gee: Being human

Hot on the heels of the release of a 20th anniversary edition of her Orange Prize-shortlisted The White Family, Maggie Gee’s latest novel The Red Children is a sequel of sorts. But the sometimes stark realism of the earlier book, which was motivated by her grief, anger and shame over the murder of Stephen Lawrence,...
Christina Patterson: Five lives

Christina Patterson: Five lives

When her brother Tom died suddenly at the age of 57, it fell to Christina Patterson, as the last surviving member of the immediate family, to clear out his house. She diligently sorted through the papers Tom had gathered, including all manner of diaries, letters and photographs left by their parents and older sister Caroline....
Saša Stanišić: Alternative visions

Saša Stanišić: Alternative visions

Saša Stanišić was born in former Yugoslavia in 1978 to a Bosnian Muslim mother and Serbian Orthodox father. Their flight into Germany at the outbreak of the Bosnian War in 1992 was fictionalised in his debut novel How the Soldier Repairs the Gramophone (Luchterhand Literaturverlag, 2006; Grove Atlantic/Weidenfeld & Nicolson, 2008; Pushkin Press, 2015, translated...